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When it comes to books in a series, readers often differ as to which one is their favorite, and The Dead Republic is no exception. Several critics found the byzantine Irish politics and the slower pace (Henry is no longer a spry young assassin, after all) a bit of a letdown. But others greatly enjoyed Doyle's final entry, which, although less action-packed than the first two entries, offers a thought-provoking account of the mythology surrounding modern Irish history. To sum it up: Doyle's latest is best suited for those interested in Ireland's recent past, as well as for those who just want to know what happened to their favorite reformed Irish hit man.
Starred Review. Doyle digs into the modern history of Ireland in the concluding volume to the life story of Henry Smart, a teenage Sinn Fein triggerman first encountered in A Star Called Henry. Here, an aging Henry must preserve his own legend, which is taken away from him first for a film, and then by the IRA. In the mid-1940s, film director John Ford plans to make a movie based on Henry's life, but Henry eventually realizes the film that Ford has planned will reduce his story to sentimental pap. Upon returning to Ireland with Ford, Henry plans on killing the director, but his callousness has faded, and he drifts into the Dublin suburbs, where he meets a respectable widow who may be his long-disappeared wife. Henry ages in obscurity until the '70s, when the IRA uses a distorted version of Henry's story as a PR ploy; as the IRA man who runs Henry explains, we hold the copyright to the Irish story. Doyle is a stellar storyteller, though not a faultless one—characters tend to editorialize at the drop of a hat; yet Doyle exhibits a peerless ear for cynicism as he grapples with the violence and farce of Irish history. (May)
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The final installment in Doyle’s trilogy featuring ex-IRA assassin Henry Smart serves up less of a bang than readers might have hoped. At the end of the previous installment, Oh, Play That Thing (2004), Smart, who moved to the States to escape his violent past, is rescued from certain death in the California desert by actor Henry Fonda. He soon finds himself collaborating with distinguished director John Ford on a movie based on his life, the filming of which brings him back to his native Dublin. When Smart sees how Ford is over-sentimentalizing his risky rebel days, he cuts all ties with the director and settles into a quiet existence working as a caretaker at a rural boys’ school. He shacks up with a woman named Missus O’Kelly (might she be his long-lost beloved lass, Miss O’Shea?). Life goes along peacefully until Smart is injured in a bombing. Newspaper coverage of the incident divulges facts about his past, and suddenly the reformed bad guy is besieged by the unsavory types he’s spent decades trying to forget. The Dead Republic has Doyle’s trademark staccato style, but it lacks the breathless exuberance of parts 1 and 2. Nonetheless, readers will want to tune in to see what fate awaits the irrepressible Irishman. --Allison Block
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