From the acclaimed author of The Wild Places, an exploration of walking and thinkingIn this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual.Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology and literature. His walks take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he crosses paths with walkers of many kinds€”wanderers, pilgrims, guides, and artists. Above all this is a book about walking as a jour
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Robert Macfarlane is the author of the prize-winning books Mountains of the Mind and The Wild Places, both of which were New York Times Notable Books. He has contributed to Harper’s, Granta, The Observer, The Times Literary Supplement, and the London Review of Books. He is a Fellow of Emmanuel College, Cambridge.
A literature professor and prodigious perambulator, Macfarlane has walked in England, Scotland’s Isle of Lewis, and elsewhere and describes his experiences here. While descriptive observations of trails and vistas inform his presentation, Macfarlane’s animating idea is the construction of a meditative sensibility that involves imagining history, exulting in nature, and interpreting literature. Macfarlane confides that his inspiration for walking-writing is Edward Thomas, author of The Icknield Way (1913), a foot travelogue that Macfarlane’s loosely replicates, routewise; England’s southern hills, the chalk downs, are where Thomas ambled. Macfarlane’s contemporary peregrinations partake of a fine-grained feeling for the pathway, encounters with fellow itinerants, and the occasional ghost-haunted campsite. With a penchant for neologism and literary allusion, Macfarlane seeks out ancient footpaths across an Essex mudflat, on a section of the pilgrim’s way to Spain’s Santiago de Compostela, within a circumambulation of a Chinese mountain sacred to Buddhism, and sea routes around Lewis. Concluding with Thomas’ biography––he was killed in WWI––Macfarlane renders his feelings toward landscapes in ruminative, mysterious hues. --Gilbert Taylor
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