On a tiny, desolate, windswept island off the coast of Southern California, two families, one in the 1880s and one in the 1930s, come to start new lives and pursue dreams of self-reliance and freedom. Their extraordinary stories, full of struggle and hope, are the subject of T. C. Boyle’s haunting new novel.
Thirty-eight-year-old Marantha Waters arrives on San Miguel on New Year’s Day 1888 to restore her failing health. Joined by her husband, a stubborn, driven Civil War veteran who will take over the operation of the sheep ranch on the island, Marantha strives to persevere in the face of the hardships, some anticipated and some not, of living in such brutal isolation. Two years later their adopted teenage daughter, Edith, an aspiring actress, will exploit every opportunity to escape the captivity her father has imposed on her. Time closes in on them all and as the new century approaches, the ranch stands untenanted. And then in March 1930, Elise Lester, a librarian from New York City, settles on San Miguel with her husband, Herbie, a World War I veteran full of manic energy. As the years go on they find a measure of fulfillment and serenity; Elise gives birth to two daughters, and the family even achieves a celebrity of sorts. But will the peace and beauty of the island see them through the impending war as it had seen them through the Depression?
Rendered in Boyle’s accomplished, assured voice, with great period detail and utterly memorable characters, this is a moving and dramatic work from one of America’s most talented and inventive storytellers."synopsis" may belong to another edition of this title.
“A saga of women, three women brought to the island by men...Boyle has carved out a beautiful, damp, atmospheric novel, sharp and exacting...[his] spirited novels are a reckoning with consequence laced with humor, insight, and pathos.” –Terry Tempest Williams, The San Francisco Chronicle
“Throughout his career, Boyle has shown a fascination with remote, forgotten places as a kind of stage where various shadings of the American character are revealed...As always, he fills his pages with wonderfully precise character studies and lush descriptions of the physical landscape.” –Hector Tobar, The Los Angeles Times
“The story of two families who lived on the windiest and wildest of the Channel Islands...the layering of these isolated lives, the archeology of human habitation, the different responses to self-sufficiency make this one of the most satisfying novels in Boyle’s canon.” –Susan Salter Reynolds, Los Angeles Magazine
“In his latest novel, this prolific man of letters focuses on one of his most engaging subjects: the inner lives of women...Boyle devotes meticulous attention to the unforgiving weather and the challenges of sheer survival, to the mute compromises of marriage and to the unspoken experience of all women who rage, endure, and prevail.” –More Magazine
“The pioneer mystique – its romance, and its disillusions – is the subject of T.C. Boyle’s San Miguel, in which the promise of a natural paradise draws two adventure-seeking women to the remote Channel Islands, fifty years apart.” –Vogue.com
“Boyle’s epic saga of struggle, loss, and resilience tackles Pacific pioneer history with literary verve...[he] subtly interweaves the fates of Native Americans, Irish immigrants, Spanish and Italian migrant workers, and Chinese fisherman into the Waters’ and Lesters’ lives, but the novel is primarily a history of the land itself, unchanging despite its various visitors and residents, and as beautiful, imperfect, and unrelenting as Boyle’s characters.” – Publishers Weekly
“A richly rewarding read...As ever, Boyle’s prose is vivid and precise, and he imbues his subjects with wonderful complexity. The perils and pleasures of island living, the limits to natural resources, and the echoes of war all provide ample grist for his mill.” – ALA Booklist
“The fourteenth novel from Boyle returns to the Channel Islands off the coast of California, a setting which served him so well in his previous novel...What may seem to some like paradise offers no happy endings in this fine novel.” – Kirkus Reviews
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