About the Author:
Roberta Silman’s first story was in The New Yorker; other stories followed there, in The Atlantic, Redbook, McCall’s, Hadassah, VQR, The American Scholar and in many places here and abroad. Her books are Blood Relations, stories; three novels, Boundaries, The Dream Dredger, and Beginning the World Again: A Novel of Los Alamos; and two children’s books, Somebody Else’s Child and The Astronomers.
Born in Brooklyn, brought up on Long Island, Silman graduated with honors from Cornell University and has an MFA from Sarah Lawrence.
A recipient of Guggenheim and NEA Fellowships, she has won the National Magazine Award for Fiction twice. Two stories were read on Selected Shorts, two others won PEN Syndicated Fiction prizes, and several were cited in Best American Short Stories. Somebody Else’s Child won the Child Study Association Award; Blood Relations won honorable mentions for the PEN Hemingway and Janet Heidinger Kafka Prizes; Boundaries won honorable mention for the Kafka Prize; and The Dream Dredger and Beginning the World Again won Washington Irving Awards. Her reviews and essays have appeared in The New York Times, The Boston Globe, VQR, The American Scholar, and World Books PRI. She reviews regularly for the online magazine The ArtsFuse.
Ms. Silman is married to structural engineer, Robert Silman, and they have three married children and five grandchildren.
Review:
“Roberta Silman has done a truly masterful job of bringing together the complex parts of the Los Alamos story—the science, the history, the place, the personal lives.” —Helen Del Monte, Books and Fiction Editor, McCall’s
“I like Beginning the World Again a lot, especially the way Roberta Silman deals with time. Her portrait of Los Alamos rings true.” —Freeman Dyson, author of Disturbing the Universe
“Filtering the narrative through the character of bright, vivacious Lily Fialka and her brilliant young husband, the author deftly interweaves details of family life with the larger issues spurred by the scientists’ deadly work.” —Booklist
“Located in quiet retirement in Vermont as the story opens, the narrator reflects on a time when she and her young scientist-husband were . . . at Los Alamos in the early 1940s . . . People [there] are portrayed as both terrified and obsessed with their creation as they race to have it ready to help end the war. Interesting fictional look at the human side of the Los Alamos experience and, due to the flashback aspect, the narrator can offer a perceptive juxtaposition of that experience with the current anti-nuke movement.” —Southwest Review of Books
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