Howard Jacobson's book "In the Land of Oz" has continued to sell strongly. Here, he embarks on a journey to discover just what it means to be Jewish. He researches Jewish roots in Israel, the USA, London, Germany and Lithuania.
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Whether one understands it as flight or restlessness, as ancient punishment or promise, the compulsion to travel is at the heart of historical Jewishness. Wherever there is a Jew, there is a journey, and for a Jew to go in search of his roots is doubly Jewish. As Howard Jacobson sets off in search of his Eastern European roots, he does so not with the sentimental hope of repossessing the sensation of belonging, but fully expecting to repossess nothing. As the journey takes him via the Catskills, Manhattan, Tucson, L.A., Eilat, Jerusalem, Tiberias and Haifa, to say nothing of Stamford Hill and Llandudno - although there are shorter routes to Lithuania - he finds there is more to being Jewish than schmaltz and self-ridicule. Roots Schmoots is as fast, funny and furious as Howard Jacobson's fans would expect, but beneath its surface there is a profound and moving exploration of what it is to be a Jew in the late twentieth century.
In his fiction (Redback, 1987; Peeping Tom, 1985, etc.) and now with this travelogue/sociologue/personalogue about his semi-Jewishness, Jacobson seems fated never quite to cast off the perception of him as a Philip Roth wannabe perpetually one step behind (both in talent and intellectual plasticity) his American master. Given a deal by the BBC and PBS to wander Jewish venues such as the Concord resort, the Simon Wiesenthal Center, Israel, and his grandparents' Lithuania, Jacobson is ever defensively atwitter, waving the antenna of his jokey skepticism. He detests the religious like the Lubavitcher Rebbe and the Hasidim of Jerusalem not only because they no doubt would be scandalized by Jacobson's gentile wife and his own secularism but also on the grounds of aesthetics: ``How is it that austerity on matters of religious faith and ritual almost invariably accompanies laxity in matters of art, music, proportion, tact, ethics, manners, civic probity, passing decency and whatever else you can think of that isn't religious faith and ritual.'' Had he spent less time flexing his condescension, Jacobson might have been able to arrive at some provisional conclusions as to why (there are an established few, after all, not all of them anti-Semitic, too)--but, instead, his screed is wrapped inside a Carnegie Deli corned-beef sandwich of wise-guy superiority and overeducated disaffiliation. Despite some nice miniatures: a snide, rather pointless, lazy book. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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