Margaret Visser has visited many more churches than most people, but like the rest of us, she began to tire of the slew of facts and lack of meaningful information available from guidebooks. The desire to find answers to her own questions -- as a traveler, a believer, and an insatiable anthropologist of the everyday -- led her to undertake this unique and revelatory book.
More than any other kind of edifice, a church is intentionally meaningful in all its aspects, and Visser decided to find out what it was trying to express, in its nuances as well as in its grand gestures. She deliberately chose a relatively simple church just outside the walls of Rome, Sant'Agnese fuori le Mura, but she casts a wide net -- taking in history, theology, anthropology, and folklore, among other disciplines -- to illuminate its physical and spiritual architecture. As she guides us through the building, from apse to nave, catacombs to campanile, Visser explores the symbolism of lambs, the Christian fascination with virgins, the meanings of martyrdom, and the history of relics. At the same time, she moves back through the centuries to reveal Christianity in its earliest forms and purposes. The book ends at the church's beginning, with the grave of Agnes, a twelve-year-old girl who was murdered seventeen hundred years ago and whose remains lie buried beneath the altar. By then we have learned how to read any church building, how to interpret what it "does" and "says," whether we are of any faith or none.
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Margaret Visser was born in South Africa, studied at the Sorbonne, and received her doctorate in classics from the University of Toronto. She is the author of three previous books: Much Depends on Dinner; Rituals of Dinner, which won the International Association of Culinary Professionals' Literary Food Writing Award and the Jane Grigson Award; and The Way We Are. She divides her time among Toronto, Barcelona, and southwestern France.
Visser, described as "an anthropologist of everyday life," has written an enthralling, absorbing and exquisitely researched study of what she calls an "ordinary church." For her subject matter she chose a small but ancient Christian church dedicated to St. Agnes that sits half-buried outside the walls of Rome. Tired of endless tours through world churches in which guides provide lists of facts about dates and architects, Visser aims to bring one small church alive by exploring the stories, meanings and rituals built into each piece of the building. Using the physical layout of the church as the structure for her book, the author takes each staircase, window, fresco, catacomb and chapel as an entryway to fascinating details of mythology, history, early Christian theology, Roman culture and contemporary practice. Visser brings an obvious love and respect for her subject matter and demonstrates remarkable depth in her knowledge of the church's milieu from details on the origins of the halo in religious art, to the techniques of mosaic building, to the historical development of virgin-hero myths. In some ways the author is an archeologist as much as an anthropologist: she digs through layers of history to reveal the depth and breadth of one small building, and peels back layers of meaning in the words and images that adorn it. For the reader, this is rich and thoughtful armchair traveling of the best kind.
Copyright 2001 Cahners Business Information, Inc.
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