A Garden From A Hundred Packets of Seed - Hardcover

James Fenton

Hardcover

ISBN 10: 0670911089 ISBN 13: 9780670911080

Publisher: Farrar, Straus & Giroux, 2001

Synopsis

A refreshingly simple and free-spirited approach to making a garden for pure pleasure

Forget "bones" Forget "structure." Forget trees, shrubs, and perennials. As James Fenton writes, "This is not a book about huge projects. It is about thinking your way towards the essential flower-garden, by the most traditional of routes: planting some seeds and seeing how they grow."

In this light-hearted, instructive, original "games of lists," Fenton selects one hundred plants he would choose to grow from seed. Flowers for color, size, and exotic interest; herbs and meadow flowers; climbing vines, tropical species-- Fenton describes one hundred readily available varieties, and tells how to acquire and grow them.

Here is a happy, stylish, unpretentious and thought-provoking gardening book that will beguile and inspire both novice and expert alike.

About this title

About the Author:

James Fenton is a poet, critic, and gardener. From 1994 to 1999 he was Professor of Poetry at Oxford, where he has created a noted garden. He writes about poetry, art history, and gardening for the New York Review of Books.

Excerpt. © Reprinted by permission. All rights reserved.:

INTRODUCTION

Of course, you may say it is only a game, and indeed it is a game: a game of lists. What plants would you choose to grow, given a blank slate of a garden, and given the stipulation that everything you grow in this garden must be raised by you from seed? It is a game of choice, but it could be more than a game. At the very least, it could be a way of thinking afresh about how to put a garden together, and with what purpose in mind.

For years now the gardening press (newspaper columns, magazines, and glossy books) has been, consciously and unconsciously, campaigning for a common approach. One starts with a design, the "bones" of the garden, the "structure." Next one shades in plausible areas and shapes, indicating trees, shrubs, and perennials. Finally, one is supposed to go out and buy the plants penciled in in those plausible shapes. The rest is mostly maintenance.

This approach to gardening would never have become plausible or popular if it did not reflect a certain wisdom. But may I respectfully suggest that it is not the only way to garden? It may be one wise way to operate, but it is not the only wisdom available to humankind. To take the simplest counterexample: in Britain every town has several communal gardens in which one can rent assigned plots known as allotments; these are used mainly for growing vegetables and fruit; an allotment gardener does not have to start with a design. The important question is: What do I want to grow?

The design of an allotment is hardly an issue. Content is everything. So the allotment gardener in January may be happily and appropriately engaged in the simple act of compiling lists: this is what I want to eat this year, or this is what I want to grow for the challenge, or this is what has piqued my curiosity.

Why should the flower gardener not feel the same? Why should he or she not ask: What do I feel like growing this year? What delights me? What bores me? What is ravishing? What is revolting? Flower fanatic and vegetable fiend, we are seated at the same kitchen table, leafing through many of the same catalogues. The same gales are howling around the rooftops. The same frosts are glazing the water butts. Why should I not feel, this January, the same freedom as my pea epicurean, my marrow-maniacal friend?

The first answer that springs to mind is that a flower garden is of its nature a permanent thing, whereas an allotment, to all intents and purposes, closes down for the winter. But this objection need not necessarily hold. After all, I have not yet defined the sort of flower garden I am thinking of. Indeed, I do not want to define it at all too nicely, because I am ambitious to hold the attention of more than one kind of reader (including, of course, the allotment gardener).

So my definition -- my nondefinition -- of a garden must include a spectacular one that I saw last summer in Manhattan, which consisted of nothing but morning glories grown on a fire escape, high up above the street. Mustard and cress sown on a washcloth, Virginia stock in an old crab shell, or a row of hyacinths in glasses -- all these count as gardens, in my understanding of the word, along with Great Dixter, Powis Castle, and Versailles.

For those who have landed on some property of which they can say, "This is where I hope to live for the next so-many years," I have some advice, which may prove welcome, since it may well prove cheap. It is not the case that your permanent plantings, your graph-paper layout of shrubs and perennials (supposing this to be your ultimate goal), should be put in place as soon as possible. If you are renovating an old garden, or starting one from scratch, it may well be good practice to plant experimentally for a couple of seasons, relying mainly on annuals, until the soil has been well conditioned and the perennial weeds have been largely defeated.

Copyright (c) 2001 James Fenton

About this edition

• Publisher: Farrar, Straus & Giroux
• Publication date: 2001
• ISBN 10: 0670911089
• ISBN 13: 9780670911080
• Binding: Hardcover
• Edition number: 1
• Number of pages: 96
• Illustrator: Illustrated