Items related to The Shape of Content (The Charles Eliot Norton Lectures)
Synopsis
In his 1956–57 Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist—painter, writer, composer—to his material, his craft, and his society. He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.
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Review
A remarkably interesting book, which puts the reader in rewarding contact with a questing mind and a humane spirit. The book is the clearest, most forceful statement on art by an artist of our time that I have read. -- Frank Getletin "New Republic" To find a lucid painter speaking lucidly of art is a thrilling discovery...�He traces� the formation of painting from idea to completion, both generally and specifically with a clarity of thought and a precise use of language which should be a very archetypal model for all critics and painters alike. Mr. Shahn "sets forth his views on both the practice and the purposes of art with a clarity, cogency, and incisiveness that any professional writer might envy, and he manages to interweave with this a good deal of interesting material about his own development as an artist, as well as a running summary of his opinions on contemporary painting in general...the book is highly controversial...also highly stimulating. In this brilliant book, which brings the many talents of Ben Shahn... into one crisp, clear, unified, astounding career, the primary focus is the exploration and explanation of the relationship between Shahn's paintings and photographs... The first half of the book consists of four exquisitely written essays by Kao, Katzman, and Webster, beautifuly illustrated with superb reproductions of Shahn's photographs and related materials, including detailed notes. The second half is an exhibition catalog with a wealth of quality reproductions of his paintings and photographs. -- J. Natal "Choice"
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Search results for The Shape of Content (The Charles Eliot Norton Lectures)
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The Shape of Content (The Charles Eliot Norton Lectures)
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: ThriftBooks-Reno, Reno, NV, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95. Seller Inventory # G0674805658I5N00
Quantity: 1 available
Stock Image
The Shape of Content (The Charles Eliot Norton Lectures)
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95. Seller Inventory # G0674805658I5N00
Quantity: 1 available
Stock Image
The Shape of Content (The Charles Eliot Norton Lectures)
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95. Seller Inventory # G0674805658I5N01
Quantity: 1 available
Stock Image
The Shape of Content (The Charles Eliot Norton Lectures)
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Seller rating 5 out of 5 stars
Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95. Seller Inventory # G0674805658I5N00
Quantity: 1 available
Stock Image
The Shape of Content
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: Better World Books: West, Reno, NV, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 18930133-75
Quantity: 1 available
Stock Image
The Shape of Content (The Charles Eliot Norton Lectures)
Published by
Harvard University Press, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
Seller: thebookforest.com, San Rafael, CA, U.S.A.
Seller rating 5 out of 5 stars
hardcover. Condition: Good. 1957, orange cloth. Binding is tight, text block is sturdy and clean, boards straight, no highlights or underlining. Dust wrapper shows some minor chipping/rubbing to edges. Well packaged and promptly shipped from California. US veteran operated. Seller Inventory # 1LAGBP001ROL
Quantity: 1 available
Stock Image
The Shape of Content
Published by
Harvard University Press, Cambridge, MA, 1957
ISBN 10: 0674805658
ISBN 13: 9780674805651
Used
Hardcover
First Edition
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Good. Dust Jacket Condition: fair. Presumed first edition/first printing. Sewn binding. Cloth over boards. [8], 131, [1] pages. Color frontis (Allegory). Illustrations. This work is made up of the author's Charles Eliot Norton Lectures. DJ worn, torn, soiled, and chipped. Minor page soiling noted. From Wikipedia: "Ben Shahn (September 12, 1898 March 14, 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn mixed different genres of art. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. His background in lithography contributed to his detail-oriented look, Shahn is also noted for his use of unique symbolism. While Shahn's "love for exactitude" is apparent in his graphics, so too is his creativity. Evocative juxtapositions characterize his aesthetic. He intentionally paired contrasting scales, colors, and images together to create tension. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful." "Mr. Shahn sets forth his views on both the practice and the purposes of art with a clarity, cogency, and incisiveness that any professional writer might envy, and he manages to interweave with this a good deal of interesting material about his own development as an artist, as well as a running summary of his opinions on contemporary painting in general? The book is highly controversial?also highly stimulating."-The New Yorker"The book is the clearest, most forceful statement on art by an artist of our time that I have read."-Frank Getletin, The New Republic"A remarkably interesting book, which puts the reader in rewarding contact with a questing mind and a humane spirit."-The Atlantic"To find a lucid painter speaking lucidly of art is a thrilling discovery? [He traces] the formation of painting from idea to completion, both generally and specifically with a clarity of thought and a precise use of language which should be a very archetypal model for all critics and painters alike."-Virginia Quarterly Review"In this brilliant book, which brings the many talents of Ben Shahn?into one crisp, clear, unified, astounding career, the primary focus is the exploration and explanation of the relationship between Shahn's paintings and photographs? The first half of the book consists of four exquisitely written essays by Kao, Katzman, and Webster, beautifully illustrated with superb reproductions of Shahn's photographs and related materials, including detailed notes. The second half is an exhibition catalog with a wealth of quality reproductions of his paintings and photographs."-J. Natal, Choice. Seller Inventory # 71088
Quantity: 1 available