The Collected Poems of Langston Hughes - Hardcover

Rampersad, Arnold

Hardcover

ISBN 10: 0679426310 ISBN 13: 9780679426318

Publisher: Knopf, 1994

Synopsis

"The ultimate book for both the dabbler and serious scholar--. [Hughes] is sumptuous and sharp, playful and sparse, grounded in an earthy music--. This book is a glorious revelation."--Boston Globe

Spanning five decades and comprising 868 poems (nearly 300 of which have never before appeared in book form), this magnificent volume is the definitive sampling of a writer who has been called the poet laureate of African America--and perhaps our greatest popular poet since Walt Whitman.  Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them and annotated by Arnold Rampersad and David Roessel.

Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes the author's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.  Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language.


From the Trade Paperback edition.

About this title

About the Author

Langston Hughes was born in Joplin, Missouri, in 1902.  After graduation from high school, he spent a year in Mexico with his father, then a year studying at Columbia University.  His first poem in a nationally known magazine was "The Negro Speaks of Rivers," which appeared in Crisis in 1921.  In 1925, he was awarded the First Prize for Poetry of the magazine Opportunity, the winning poem being "The Weary Blues," which gave its title to his first book of poems, published in 1926.  As a result of his poetry, Mr. Hughes received a scholarship at Lincoln University in Pennsylvania, where he won his B.A. in 1929.  In 1943, he was awarded an honorary Litt.D. by his alma mater; he has also been awarded a Guggenheim Fellowship (1935), a Rosenwald Fellowship (1940), and an American Academy of Arts and Letters Grant (1947).  From 1926 until his death in 1967, Langston Hughes devoted his time to writing and lecturing.  He wrote poetry, short stories, autobiography, song lyrics, essays, humor, and plays.  A cross section of his work was published in 1958 as The Langston Hughes Reader.


From the Trade Paperback edition.

From the Inside Flap

timate book for both the dabbler and serious scholar--. [Hughes] is sumptuous and sharp, playful and sparse, grounded in an earthy music--. This book is a glorious revelation."--Boston Globe

Spanning five decades and comprising 868 poems (nearly 300 of which have never before appeared in book form), this magnificent volume is the definitive sampling of a writer who has been called the poet laureate of African America--and perhaps our greatest popular poet since Walt Whitman. Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them and annotated by Arnold Rampersad and David Roessel.

Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes the author's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ&

Reviews

At last Hughes has gotten his first collected edition; it is overdue. The editors have attempted to collect every poem (860 in all) published by the writer in his lifetime, and have also provided a brief but informative introduction, a detailed chronology and extensive textual notes that include the original date and place of publication for each poem. In fact, this edition corrects the many errors and omissions of the standard Hughes bibliography, and the editors plan to update the text as more unpublished work surfaces. Although Hughes is best known for his poems celebrating African African life, he was also a passionately political poet who paid dearly for his communist affiliations and radical views. The chronological arrangement of the poems allows the reader to follow the course of Hughes's career-long political engagement, though probably Hughes will mainly be read for the clarity of his language, his wise humor and his insight into the human condition. BOMC selection.
Copyright 1994 Reed Business Information, Inc.

Far more comprehensive than other collections of Hughes's poetry, this work was put together with the assistance of noted Hughes biographer Rampersad. [Reviewed on p. 80.]
Copyright 1994 Reed Business Information, Inc.

In an early poem titled "Formula," Hughes (1902-67) mocks the belief that poetry should be about "lofty things." For this revolutionary African American poet, poetry had to be about "earthly pain." This poem also prefigures the central controversy of Hughes' literary career: he was celebrated as the poet laureate of Americans of African descent just as often as he was castigated for being trite and simplistic. In their succinct and informative introduction to this definitive and invaluable collection, Hughes biographer Rampersad and modern American poetry expert Roessel don't deny the fact that Hughes' newspaper work has been described as doggerel, but the 860 poems gathered here soar far above such nitpicking. All are published works, and all are exceptional. Hughes was a "democratic" poet who wanted his work to be accessible in both subject matter and style, so he wrote poems charged with the immediacy of life and the rhythm of speech and song. Influenced by the Bible, W. E. B. Du Bois, and Walt Whitman, Hughes' aesthetics were based on African American music, especially the plaintive pulse of the blues and the swoops and growls of jazz. Always a man of his times, Hughes wrote about southern violence, Harlem street life, poverty, prejudice, hunger, hopelessness, and love. Many of his poems are portraits of people whose lives are impacted by racism and sexual conflicts. During the 1930s, Hughes' poems took on a more international and politically radical tone; it was during this decade that Hughes acquired a damaging and inaccurate reputation for being a Communist. In spite of being condemned by critics on both the Left and the Right, Hughes stayed true to his muse, chronicling the black American experience and contrasting the beauty of the soul with the loathsomeness of circumstance. Donna Seaman

Excerpt. © Reprinted by permission. All rights reserved.

Juke Box Love Song

I could take the Harlem night
and wrap around you,
Take the neon lights and make a crown,
Take the Lenox Avenue busses,
Taxis, subways,
And for your love song tone their rumble down.
Take Harlem's heartbeat,
Make a drumbeat,
Put it on a record, let it whirl,
And while we listen to it play,
Dance with you till day--
Dance with you, my sweet brown Harlem girl.


From the Trade Paperback edition.

Edition details

• Publisher: Knopf
• Publication date: 1994
• Language: English
• ISBN 10: 0679426310
• ISBN 13: 9780679426318
• Binding: Hardcover
• Edition number: 1
• Number of pages: 736