Friends Talking in the Night: Sixty Years of Writing for The New Yorker - Hardcover

Hamburger, Philip

Hardcover

ISBN 10: 0679438831 ISBN 13: 9780679438830

Publisher: Knopf, 1999

Synopsis

From a writer of astonishing versatility, this wonderfully rich collection of pieces is both a memoir  of Philip Hamburger's writing life and a vivid and various record of the world he has lived in. Hamburger first went to work for The New Yorker in 1939, under the aegis of Harold Ross, and he is  still there--six decades and four editors later. He has wandered all over its pages as Our Man Stanley or Reporter at Large, doing Talk of the Town, Casuals, and Notes & Comment, writing Profiles, and more.   And he has wandered all over the map, unearthing the secret souls of some fifty-five American towns  and cities (from Hot Springs, Arkansas, to Butte, Montana) and bearing witness to the horrors of war  and fascism (from Mussolini's bloody corpse hanging upside down in a Milan public square, to the  hungry, hollow-eyed marchers bearing pro-Tito posters through the wrecked streets of Belgrade  after the war).
An old-fashioned liberal--and proud of it-- Hamburger has witnessed almost every inauguration since  1933 (at Roosevelt's first he was perched on the icy branch of a tree), has spied shamelessly on a succession of New York City mayors (he used to live conveniently across from Gracie Mansion), and has constantly championed the voices of liberty (Judge Learned Hand, J. Robert Oppenheimer, Judge William Henry Hastie, Edward R. Murrow).
Insatiably curious, Hamburger strikes for the heart of whatever subject he approaches--whether it's the  famous (Truman, Toscanini, Evita Perón, Eleanor Roosevelt, Vartan Gregorian) or the unsung hero (a waiter who single-handedly sold four million dollars' worth of war bonds). Hitler's aerie in Berchtesgaden is as fascinating to him as the twisting ramps of Macy's package delivery tunnels.  Hamburger never balked at donning a different hat; he quite literally put on a black homburg as The New Yorker's music critic for a year. He took on movies and was the first to venture into the minefield of television, conjuring up brilliantly the wonders and abominations of what he saw in the 1950s on the flickering black-and-white screen.
All these adventures, and many more, are here in this treasure of a book--the work of a New Yorker writer who wrote what he pleased, went where he wanted, and took as much time as he needed. With wit and insight and extraordinary scrupulousness, Philip Hamburger penetrates the darkness and reveals for us the many pleasures he has had talking to these friends in the night.

About this title

About the Author

Philip Hamburger was born in Wheeling, West  Virginia, in 1914. At an early age he caught a sleeper to New York City. Except for a wartime stint in Washington,  D.C., and overseas assignments, he has lived there ever since.

From Kirkus Reviews

A mainstay of the New Yorker staff since 1939, Hamburger has written everything from Talk of the Town entries to casuals and profiles; he even served as music critic and movie reviewer. Dozens of pieces are collected here, arranged chronologically within each category. The few comments provided by Hamburger are helpful: A ``Stanley'' essay was written, for example, to explore ``small, little-known islands in the East River and New York Harbor,'' and was authored by none other than the self-styled Our Man Stanley. Much of the material is dated; some of Hamburgers observations appear comically off the mark. For instance, in 1950 he became the first New Yorker writer to venture into the ``cultural minefield'' of television. He describes the early Candid Camera TV series as ``sadistic, poisonous, anti-human, and sneaky''; he dismisses Frank Sinatra and his singing on the October 1951 debut of his show as being either ``asleep or else . . . quite ill.'' Hamburger fared a bit better as an amateur'' music critic in the late 1940s, although Toscanini demanded that he be fired. Hamburger wrote many fine profiles over the years, with the best a 1986 piece on Vartan Gregorian. His parodic profile of then-popular J.P. Marquand may be lost on many readers today. A 1944 profile of Louie the Waiter at the Sixth Avenue Delicatessena man noted not only for his service-oriented doggerel, but for selling $4 million worth of war bondsis a prime example of New Yorker writing at its finest. Uneven, but what writer's 60-year output wouldn't be? There's great stuff here, representative of a kind of writing and reportage that, sadly, is passing. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

About this edition

• Publisher: Knopf
• Publication date: 1999
• ISBN 10: 0679438831
• ISBN 13: 9780679438830
• Binding: Hardcover
• Edition number: 1
• Number of pages: 424