Monster: A Novel - Hardcover

Kellerman, Jonathan

Hardcover

ISBN 10: 067945960X ISBN 13: 9780679459606

Publisher: Random House, 1999

Synopsis

Alex Delaware is back! And in Jonathan Kellerman's riveting and ingenious new novel, Monster, he faces one of the most grisly and baffling mysteries of his career: How can a nonfunctional psychotic locked up in a supposedly secure institution for homicidal madmen predict brutal murders in the outside world? Delaware and his friend and partner Detective Milo Sturgis must penetrate this enigma in order to stop the horrific killings.

A marginal actor is found dead in a car trunk, sawn in half. Months later, a psychologist at a hospital for the criminally insane is discovered murdered and mutilated in a tantalizingly similar way. When reports of an inmate's incoherent ramblings begin to make frightening sense as predictions of yet more slayings, Delaware and Sturgis are drawn into a web of family secrets, vengeance, and manipulation--both inside the asylum and on the streets of L.A., where death, drugs, and sex are marketed as commodities. The climactic discovery they make as they race to prevent more killings gives fresh and terrifying meaning to the concept of monstrosity.

With Monster's incomparably deft characterizations and dazzlingly dark plot twists, Jonathan Kellerman further enhances his literary position as master of the psychological thriller.

About this title

About the Author

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a child psychologist to numerous bestselling tales of suspense, including twelve previous Alex Delaware novels; The Butcher's Theater, a story of serial killing in Jerusalem; and, most recently, Billy Straight. He has also published two volumes on psychology and two children's books, and is the author of Savage Spawn, a nonfiction book about violent children. He and his wife, the novelist Faye Kellerman, have four children.

From the Back Cover

e is back! And in Jonathan Kellerman's riveting and ingenious new novel, Monster, he faces one of the most grisly and baffling mysteries of his career: How can a nonfunctional psychotic locked up in a supposedly secure institution for homicidal madmen predict brutal murders in the outside world? Delaware and his friend and partner Detective Milo Sturgis must penetrate this enigma in order to stop the horrific killings.

A marginal actor is found dead in a car trunk, sawn in half. Months later, a psychologist at a hospital for the criminally insane is discovered murdered and mutilated in a tantalizingly similar way. When reports of an inmate's incoherent ramblings begin to make frightening sense as predictions of yet more slayings, Delaware and Sturgis are drawn into a web of family secrets, vengeance, and manipulation--both inside the asylum and on the streets of L.A., where death, drugs, and sex are marketed as commodities. The climactic discovery they make as they race to pr

Reviews

In top form in his latest mystery featuring L.A. forensic psychologist Alex Delaware (who had a bit part in the author's previous novel, Billy Straight), Kellerman devises a deviously twisted, contemporary tale that draws pulsing suspense from the ageless relationship between madness and evil. Delaware teams up with his pal Milo Sturgis, of LAPD Homicide, to track the murderer of Claire Argent, a young doctor who worked at Starkweather Hospital for the Criminally Insane. Argent's badly mutilated body connects her death to the unsolved murder of a young, aspiring actor whose body had been sawed in half. Kellerman masterfully strews the trail of the investigation with crumbs, challenging his heroes (and readers) to distinguish promising clues from red herrings. Argent, who recently left a prime research job to work at Starkweather, led an extremely isolated life that had nothing in common with that of the murdered actor. The Starkweather staff is reticent and unhelpful until a young aide reveals that the doctor had been spending time with an inmate known as the Monster, a mentally deficient man who had been convicted of murdering and mutilating a young family 15 years earlier. Kellerman focuses on Delaware and Sturgis as they probe the hospital's milieu, the Monster's crime, the doctor's troubled and puzzling history and additional murders. A tense climax in the hills above L.A. brings together all the tautly woven threads as Kellerman delivers another chilling look into the dark corners of the human psyche. Literary Guild, Doubleday Book Club and Mystery Guild main selections.
Copyright 1999 Reed Business Information, Inc.

A psychologist hunts the killer of a psychologist when Dr. Alex Delaware returns after a hiatus that perhaps should have extended beyond one book (Billy Straight, 1999). It's just that Alex seems so detached now, so distanced. Oh, sure, when LAPD Det. Milo Sturgis summons him, he responds the way a good consulting psychologist should, but gone is that joy of sleuthing once his hallmark (The Clinic, 1997, etc.). On the one hand, who could love visiting the Starkweather State Hospital for the Criminally Insane? On the other, reclusive, self- involved Dr. Claire Argent was a Starkweather staff psychologist until someone slit her throat and cut her eyes out, so it's there, Sturgis feels, the investigation should begin. Not that he likes any of the inmates for his perp. They all have ironclad alibis, since what Starkweather is famous for is secure incarceration. Once inmates get locked up, locked up they stay, and it happens that Dr. Argent was nowhere near the hospital when she met her gory end. Okay, but how, Alex wonders, do you ignore mass murderer Ardis Peake? A nonfunctional psychotic who almost never leaves his room, almost never speaks, but who has, in fact, suddenly spoken: ``Dr. A. Bad eyes in a boxwords supposedly muttered the day before Claire Argent was mutilated. Moreover, Alex discovers, there were connections between monstrous Ardis and quiet Claire that go way back. And so, ... la Ross Macdonald, the search is launched, and like Lew Archer and a bevy of wannabes, Alex finds his new mysteries shrouded by old ones. Because he's so much the observer here, Alex amounts to a nonplayer. And no one else in the cast has substance enough to make a long book seem shorter. (Literary Guild Main/Mystery Guild Selection) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

A handsome young actor is found murdered and mutilated, a female psychologist meets a similar fate, and twin brothers are gruesomely dispatchedAall in separate events, on the same evening. The murders, though different, seem to be the work of the same killer. As Dr. Alex Delaware, psychologist and consultant to the LAPD, and detective Milo Sturgis unravel the mystery of the killer's identity, it becomes clear that Ardis Peake (a.k.a. "Monster"), incarcerated in a psychiatric hospital for the criminally insane for the past 16 years, is somehow involved. Kellerman's 13th novel featuring Alex Delaware includes intelligent, well-drawn characters and the kinds of plot twists that make the best mysteries fun to read. Both fans of the series and readers not familiar with Kellerman's works should enjoy this novel. Recommended for all public libraries.
-ALeslie Madden, Georgia Inst. of Technology Lib. & Information Ctr., Atlanta
Copyright 1999 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

The giant knew Richard Nixon.
Towering, yellow-haired, grizzled, a listing mountain in khaki twill, he limped closer, and Milo tightened up. I looked to Frank Dollard for a cue. Dollard appeared untroubled, meaty arms at his sides, mouth serene under the tobaccoed gray mustache. His eyes were slits, but they'd been that way at the main gate.

The giant belched out a bass laugh and brushed greasy hair away from his eyes. His beard was a corn-colored ruin. I could smell him now, vinegarish, hormonally charged. He had to be six- eight, three hundred. The shadow he threw on the dirt was ash-colored, amoebic, broad enough to shade us.

He took another lurching step, and this time Frank Dollard's right arm shot out.
The huge man didn't seem to notice, just stood there with Dollard's limb flung across his waist. Maybe a dozen other men in khaki were out on the yard, most of them standing still, a few others pacing, rocking, faces pressed against the chain link. No groups that I could see; everyone to himself. Above them, the sky was an untrammeled blue, clouds broiled away by a vengeful sun. I was cooking in my suit.

The giant's face was dry. He sighed, dropped his shoulders, and Dollard lowered his arm. The giant made a finger gun, pointed it at us, and laughed. His eyes were dark brown, pinched at the corners, the whites too sallow for health.

"Secret service." He thumped his chest. "Victoria's Secret service in the closet underwear undercover always lookin' out for the guy good old Nixon RMN Rimmin, always rimmin wanting to be rimmed he liked to talk the walk cuttin outta the White House night house doing the party thing all hours with Kurt Vonnegut , J. D. Salinger the Glass family anyone who didn't mind the politics heat of the kitchen I wrote Cat's Cradle sold it to Vonnegut for ten bucks Billy Bathgate typed the manuscript one time he walked out the front door got all the way to Las Vegas big hassle with the Hell's Angels over some dollar slots Vonnegut wanting to change the national debt Rimmin agreed the Angels got pissed we had to pull him out of it me and Kurt Vonnegut Salinger wasn't there Doctorow was sewing the Cat's Cradle they were bad cats, woulda assassinated him any day of the week leeway the oswald harvey."

He bent and lifted his left trouser leg. Below the knee was bone sheathed with glossy white scar tissue, most of the calf meat ripped away. An organic peg leg.

"Got shot protecting old Rimmin," he said, letting go of the fabric. "He died anyway poor Richard no almanac know what happened rimmed too hard I couldn't stop it."
"Chet," said Dollard, stretching to pat the giant's shoulder.

The giant shuddered. Little cherries of muscle rolled along Milo's jawline. His hand was where his gun would have been if he hadn't checked it at the gate.
Dollard said, "Gonna make it to the TV room today, Chet?"
The giant swayed a bit. "Ahh . . ."
"I think you should make it to the TV room, Chet. There's gonna be a movie on democracy. We're gonna sing 'The Star-
Spangled Banner,' could use someone with a good voice."
"Yeah, Pavarotti," said the giant, suddenly cheerful. "He and Domingo were at Caesars Palace they didn't like the way it worked out Rimmin not doing his voice exercises lee lee lee lo lo lo no egg yolk to smooth the trachea it pissed Pavarotti off he didn't want to run for public office."
"Yeah, sure," said Dollard. He winked at Milo and me.

The giant had turned his back on all three of us and was staring down on the bare tan table of the yard. A short, thick, dark-haired man had pulled down his pants and was urinating in the dirt, setting off a tiny dust storm. None of the other men in khaki seemed to notice. The giant's face had gone stony.

"Wet," he said.
"Don't worry about it, Chet," Dollard said softly. "You know Sharbno and his bladder."
The giant didn't answer, but Dollard must have transmitted a message, because two other psych techs came jogging over from a far corner. One black, one white, just as muscular as Dollard but a lot younger, wearing the same uniform of short-sleeved sport shirt, jeans, and sneakers. Photo badges clipped to the collar. The heat and the run had turned the techs' faces wet. Milo's sport coat had soaked through at the armpits, but the giant hadn't let loose a drop of sweat.

His face tightened some more as he watched the urinating man shake himself off, then duck-walk across the yard, pants still puddled around his ankles.

"Wet."
"We'll handle it, Chet," soothed Dollard.
The black tech said, "I'll go get those trousers up."
He sauntered toward Sharbno. The white tech stayed with Chet. Dollard gave Chet another pat and we moved on.
Ten yards later, I looked back. Both techs were flanking Chet. The giant's posture had changed--shoulders higher, head craning as he continued to stare at the space vacated by Sharbno.
Milo said, "Guy that size, how can you control him?"
"We don't control him," said Dollard. "Clozapine does. Last month his dosage got upped after he beat the crap out of another patient. Broke about a dozen bones."
"Maybe he needs even more," said Milo.
"Why?"
"He doesn't exactly sound coherent."

Dollard chuckled. "Coherent." He glanced at me. "Know what his daily dosage is, Doctor? Fourteen hundred milligrams. Even with his body weight, that's pretty thorough, wouldn't you say?"
"Maximum's usually around nine hundred," I told Milo. "Lots of people do well on a third of that."
Dollard said, "He was on eleven migs when he broke the other inmate's face." Dollard's chest puffed a bit. "We exceed maximum recommendations all the time; the psychiatrists tell us it's no problem." He shrugged. "Maybe Chet'll get even more. If he does something else bad."

We covered more ground, passing more inmates. Untrimmed hair, slack mouths, empty eyes, stained uniforms. None of the iron-pumper bulk you see in prisons. These torsos were soft, warped, deflated. I felt eyes on the back of my head, glanced to the side, and saw a man with haunted-prophet eyes and a chestful of black beard staring at me. Above the facial pelt, his cheeks were sunken and sooty. Our eyes engaged. He came toward me, arms rigid, neck bobbing. He opened his mouth. No teeth.

He didn't know me but his eyes were rich with hatred.
My hands fisted. I walked faster. Dollard noticed and cocked his head. The bearded man stopped abruptly, stood there in the full sun, planted like a shrub. The red exit sign on the far gate was five hundred feet away. Dollard's key ring jangled. No other techs in sight. We kept walking. Beautiful sky, but no birds. A machine began grinding something.

I said, "Chet's ramblings. There seems to be some intelligence there."
"What, 'cause he talks about books?" said Dollard. "I think before he went nuts he was in college somewhere. I think his family was educated."
"What got him in here?" said Milo, glancing back.
"Same as all of them." Dollard scratched his mustache and kept his pace steady. The yard was vast.






We were halfway across now, passing more dead eyes, frozen faces, wild looks that set up the small hairs on the back of my neck.
"Don't wear khaki or brown," Milo had said. "The inmates wear that, we don't want you stuck in there--though that would be interesting, wouldn't it? Shrink trying to convince them he's not crazy?"
"Same as all of them?" I said.
"Incompetent to stand trial," said Dollard. "Your basic 1026."
"How many do you have here?" said Milo.
"Twelve hundred or so. Old Chet's case is kinda sad. He was living on top of a mountain down near the Mexican border--some kind of hermit deal, sleeping in caves, eating weeds, all that good stuff. Couple of hikers just happened to be unlucky enough to find the wrong cave, wrong time, woke him up. He tore 'em up--really went at 'em with his bare hands. He actually managed to rip both the girl's arms off and was working on one of her legs when they found him. Some park ranger or sheriff shotgunned Chet's leg charging in, that's why it looks like that. He wasn't resisting arrest, just sitting there next to the body pieces, looking scared someone was gonna hit him. No big challenge getting a 1026 on something like that. He's been here three years. First six months he did nothing but stay curled up, crying, sucking his thumb. We had to IV-feed him."
"Now he beats people up," said Milo. "Progress."

Dollard flexed his fingers. He was in his late fifties, husky and sunburnt, no visible body fat. The lips beneath the mustache were thin, parched, amused. "What do you want we should do, haul him out and shoot him?"
Milo grunted.

Dollard said, "Yeah, I know what you're thinking: good riddance to bad rubbish, you'd be happy to be on the firing squad." He chuckled. "Cop thinking. I worked patrol in Hemet for ten years, woulda said the exact same thing before I came here. Couple of years on the wards and now I know reality: some of them really are sick." He touched his mustache. "Old Chet's no Ted Bundy. He couldn't help himself any more than a baby crapping its diaper. Same with old Sharbno back there, pissing in the dirt." He tapped his temple. "The wiring's screwy, some people just turn to garbage. And this place is the Dumpster."

"Exactly why we're here," said Milo.
Dollard raised an eyebrow. "That I don't know about. Our garbage doesn't get taken out. I can't see how we're gonna be able to help you on Dr. Argent."
He flexed his fingers again. His nails were yellow horn. "I liked Dr. Argent. Real nice ...

Edition details

• Publisher: Random House
• Publication date: 1999
• Language: English
• ISBN 10: 067945960X
• ISBN 13: 9780679459606
• Binding: Hardcover
• Edition number: 1
• Number of pages: 396