In The Genius of the System, Thomas Schatz recalls Hollywood’s Golden Age from the 1920s until the dawn of television in the late 1940s, when quality films were produced swiftly and cost efficiently thanks to the intricate design of the system. Schatz takes us through the rise and fall of individual careers and the making and unmaking of movies such as Frankenstein, Casablanca, and Hitchcock’s Notorious. Through detailed analysis of major Hollywood moviemakers including Universal, Warner Bros., and MGM, he reminds us of a time when studios had distinct personalities and the relationship between contracts and creativity was not mutually exclusive.
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Thomas Schatz is professor of communication at the University of Texas, Austin. He is the author of several books, including Hollywood Genres and Boom and Bust: American Cinema in the 1940s.
Several other histories of Hollywood's studio system have already been published, including Robert Stanley's The Celluloid Empire (LJ 5/15/78), Douglas Gomery's The Hollywood Studio System (LJ 1/86), and Ethan Mordden's The Hollywood Studios (LJ 5/15/88). All these books have some value, but Mordden and Schatz win top honors. Larger libraries should purchase both books, as they complement each other. Mordden's primary interest is aesthetics; Schatz's is business. Mordden's writing is sometimes brilliant, while Schatz's is only good, but Schatz has obviously done a lot of research, and he puts it to good use in a very readable book. John Smothers, Monmouth Cty. Lib., Manalapan,
Copyright 1989 Reed Business Information, Inc.
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