These 34 funny, tragic, bracing, and acerbic stories represent the complete short fiction of one of Ireland's finest living writers. On struggling farms, in Dublin's rain-drenched streets, or in parched exile in Franco's Spain, McGahern's characters wage a confused but touching war against the facts of life.
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John McGahern was the author of five highly acclaimed novels and four collections of short stories. His novel Amongst Women won the GPA Book Award and the Irish Times Award, was short-listed for the Booker Prize, and was made into a four-part BBC television series. He had been a visiting professor at Colgate University and at the University of Victoria, British Columbia, and was the recipient of the Society of Authors’ Award, the American-Irish Award, and the Prix Étrangère Ecureuil, among other awards and honors. His work appeared in anthologies and was translated into many languages. He died in 2006.
McGahern is best known for his grim novels of Irish life, and readers of The Barracks, The Leavetaking and The Pornographer will immediately recognize his deft handiwork in these 35 stories. Operating fully within his country's vaunted short-story tradition (Frank O'Connor, Mary Lavin, et al.), McGahern meticulously builds prolonged moments of stasis, wherein accumulations of character and detail do not advance a story as much as deepen its roots. In the extraordinary "Swallows," the stultifying Irish country life is brightened for a moment by a Dublin traveler who plays Paganini on a Stradivarius, only to find his hosts asking for a bit of "Danny Boy." "Doorways," a tale of unrequited love, is formally and thematically framed by the presence of Beckettian vagabonds who offer wry but silent commentary. Although McGahern returns again and again to the same themes--emotional repression, poverty of mind and spirit, the ever-salubrious effects of stout and whiskey--he does so with an impressive and sometimes surprising range of characters (a gay fondler in "Lavin," a vulnerable translator of Chekhov and Mayakovsky in "The Beginning of an Idea"). In the end, what distinguishes McGahern's work is not his cold assessment of life in Ireland, but his ability to fan dying embers into temporary glow.
Copyright 1993 Reed Business Information, Inc.
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