From the National Book Award nominated, New York Times bestselling author of A Short History of Women and The Sunken Cathedral, Walbert’s beautiful and heartbreaking novel about a young woman coming of age in the long shadow of World War II—“An intricately plotted, thrillingly imagined narrative...A masterpiece” (The New York Times Book Review).
Forty years after enduring the Second World War as a young woman, Ellen relates the events of this turbulent period, beginning with the death of her favorite cousin, Randall, with whom she shared Easter Sundays, childhood secrets, and, perhaps, the first taste of love. When he dies on Iwo Jima, she turns to the legacy he left her: his diary and a book called The Gardens of Kyoto. Each one subtly influences her perception of her place in the world, the nature of her memories.
Moving back and forth through time and place, Kate Walbert recreates a world touched by the shadows of war and a society in which women fit their desires into prescribed roles. Unfolding in lyrical, seductive prose, The Gardens of Kyoto becomes a mesmerizing exploration of the interplay of love and loss.
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Nothing is quite as it should be in this first novel by Kate Walbert, author of the celebrated story collection Where She Went. Set in wartime Philadelphia, the story is told by Ellen, a character inhabiting a rather complex narrative device. Namely, she's looking back on the war years, from some future vantage point, recounting her experiences to her child. This framing device allows Walbert to create a novel in which the past is neither as innocent nor as simple as the reader assumes.
Ellen, the youngest of three sisters, lives for her annual visit to see her cousin Randall. Something in his odd-duck imaginings speaks to her, and their bond is cemented by the fact that they both have red hair. (Relationships have been built on less.) Yet this portrait of Randall is shadowed by loss; we know from the first that he will be killed in the war. Small wonder that nostalgia sweetens Ellen's account of their friendship: "Sometimes, when I think about it, I see the two of us there, Randall and me, from a different perspective, as if I were Mother walking through the door to call us for supper.... One will never grow old, never age. One will never plant tomatoes, drive automobiles, go to dances. One will never drink too much and sit alone, wishing, in the dark."
Ellen tells of meeting the father of her child, of her sister's disappearance, of a friend's abortion. These are in fact the story's recurrent motifs: vanishing women, endangered children, and men permanently damaged by war. As for the titular gardens, they make but a brief appearance, in a book Randall bequests to the narrator. Yet Walbert's description of them lends an extra resonance to her themes of distance and loss, even as we discover that Ellen has been deceiving herself--and us--all along. --Claire Dederer
Kate Walbert is the author of six previous books of fiction: His Favorites; The Sunken Cathedral; A Short History of Women, a New York Times Book Review ten best books of the year and finalist for the Los Angeles Times Book Prize; Our Kind, a National Book Award finalist; The Gardens of Kyoto; and the story collection Where She Went. Her work has appeared in The New Yorker, The Paris Review, The Best American Short Stories, and The O. Henry Prize stories. She lives with her family in New York City.
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