Colleen McCullough's track record in publishing reads like Caesar's triumphs in battlewide-ranging in scope, masterful in style, unequaled in achievement. From her almost twelve-million-copy-selling Thorn Birds through her four novels in the Masters of Rome series, McCullough has never faltered.
Here she turns her attentions to Caesar's conquest of Gaul and to his momentous decision at the river Rubicon to claim his place in the government of Rome. At a time that preceded the technology of any firearm, when military acumen, strategy, and leadership were all, it was Caesar's genius that prevailed, over and over. What Caesar accomplished in Gaul is the stuff of historical epic, of military academies, and of this novel. He was utterly awesome. Yet history forgets that Caesar was also a man, not immune to the human condition. He succeeded brilliantly, but he also suffered great personal grief and disappointment. It is the full portrait of Caesar, a man destined to inspire an empire, that Colleen McCullough paints here--faithfully, magnificently, and in radiant light.
"McCullough is on fire.... Caesar is one of her strongest and most fascinating characters."San Francisco Chronicle
"synopsis" may belong to another edition of this title.
Colleen McCullough is the author of The Thorn Birds, Tim, An Indecent Obsession, A Creed for the Third Millennium, The Ladies of Missalonghi, The First Man in Rome, The Grass Crown, Fortune's Favorites, Caesar's Women, Caesar, and other novels. She lives with her husband on Norfolk Island in the South Pacific.
Colleen McCullough's track record in publishing reads like Caesar's triumphs in battlewide-ranging in scope, masterful in style, unequaled in achievement. From her almost twelve-million-copy-selling Thorn Birds through her four novels in the Masters of Rome series, McCullough has never faltered.
Here she turns her attentions to Caesar's conquest of Gaul and to his momentous decision at the river Rubicon to claim his place in the government of Rome. At a time that preceded the technology of any firearm, when military acumen, strategy, and leadership were all, it was Caesar's genius that prevailed, over and over. What Caesar accomplished in Gaul is the stuff of historical epic, of military academies, and of this novel. He was utterly awesome. Yet history forgets that Caesar was also a man, not immune to the human condition. He succeeded brilliantly, but he also suffered great personal grief and disappointment. It is the full portrait of Caesar, a man destined to inspire an empire, that Colleen McCullough paints here--faithfully, magnificently, and in radiant light.
"McCullough is on fire.... Caesar is one of her strongest and most fascinating characters."San Francisco Chronicle
The story of Caesar's Gallic Wars (roughly 5851 b.c.) and return to Rome warfare, followed fictively and, in the main, meticulously, from Caesar's Commentaries. Again, the portraits are memorable--from Brutus (here, a money-mad ``wet fish'' with acne) to Cleopatra (scrawny, ugly, calmly plotting fratricide)--and the politicking is showy, sly, witty, and often deadly. At the close of Caesar's Women (1996), McCullough's fourth massive staging of the power wrests and wrestlings of mighty men of ancient Rome, Julius Caesar, a true colossus of skill and brilliance, had left for ``Further Gaul.'' Now, while mopping up the revolts in his detested Britannia of ``blue-painted relics,'' he receives word from Pompey the Great, First Man in Rome and husband of Caesar's lovely daughter Julia, that Julia and his mother are dead. Grief drains him, but oddly he grows in strength, proceeding to un-Romanized Gaul, pacifying tribe after tribe, and eventually defeating Vercingetorix, an ambitious but inexperienced leader out to unite Gaul, who would not accept Caesar's offer of Rome's ``light rein'' in a ``shrinking world.'' While Caesar with his beloved legions win Gaul with extraordinary tactics and hardship, his foes in Rome have swung Pompey--once a Golden Boy, now tarnished with fatuous conceit and lack of political savvy--to their cause, which is, simply, to destroy Caesar. Although scrupulous in his observance of law, Caesar crosses the Rubicon to become Rome's aggressor. (McCullough appropriately uses Plutarch's account of his utterance: ``Let the dice fly high!'' instead of the gloomy ``The die is cast.'') While temporarily Dictator, afterward, Caesar pursues Pompey's armies until the Great One's sad end. In the wings for Book Six: the gorgeous Mark Antony, slinky Octavius, and Cleopatra. Rewarding but rugged terrain for the casual reader. Armchair generals, though, should love this--perhaps with De bello Gallico at the ready. Maps, glossary, and photos of sculptured portraits of the time. (Book-of-the-Month Club alternate selection/Quality Paperback Book Club selection) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
The fifth volume of McCullough's continuing saga of the history of Rome meets the stellar standards she has set in her earlier books (e.g., Caesar's Women, LJ 12/95). It opens in 54 B.C., with Caesar civilizing and romanizing the different tribes in Britannia and Gaul. After five years of almost constant warfare, Caesar turns all his political brilliance to defeating Pompey, his former son-in-law, who wants to strip Caesar of his power. McCullough clearly loves her subject and has done voluminous research, smoothly interweaving the vast number of facts into the narrative. She gives us a living Caesar, the superb military tactician and the man who cried at his mother's and daughter's deaths. It's not hard to see why his troops (and many women) loved him. The novel is further enriched by McCullough's hand-drawn maps, illustrations of major players, and useful glossary. Essential for historical fiction collections.
-?Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 1997 Reed Business Information, Inc.
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