In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater.
Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow.
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Ntozake Shange (1948–2018) was a poet, novelist, playwright, and performer. She wrote the Broadway-produced and Obie Award-winning for colored girls who have considered suicide / when the rainbow is enuf, as well as numerous works of fiction, including Sassafras, Cypress & Indigo; Betsey Brown; and Liliane.
Kadir Nelson is an award-winning American artist whose works have been exhibited in major national and international publications, institutions, art galleries, and museums. Nelson is the illustrator of many beloved, award-winning, and bestselling picture books including, We Are the Ship: The Story of Negro League Baseball, winner of the Coretta Scott King and Robert F. Sibert Award; Thunder Rose, written by Jerdine Nolen, which received a Coretta Scott King Illustrator Honor Award; Ellington Was Not a Street, written by Ntozake Shange, which received a Coretta Scott King Illustrator Award; Hewitt Anderson’s Great Big Life, written by Jerdine Nolen, which won the 2005 Society of Illustrators Gold Medal; and Mama Miti: Wangari Maathai and the Trees of Kenya by Donna Jo Napoli called “stunning” by Kirkus Reviews in a starred review. He is also the illustrator of Deloris Jordan and Roslyn M. Jordan’s Salt in His Shoes and Spike Lee and Tonya Lewis Lee’s Please, Baby, Please and Please, Puppy, Please. Kadir Nelson lives in Los Angeles.
Grade 3-8-Nelson illustrates the noted poet's "Mood Indigo," from her collection entitled A Daughter's Geography. The book begins with the opening lines of the poem set against a pale gray page: "it hasn't always been this way/ellington was not a street." Opposite, a full-page painting shows several people walking beneath a green sign that reads Ellington St. A young African-American woman carrying a red umbrella is prominently featured, and readers will soon understand that she is the child narrator, all grown up (the resemblance is striking). In the poem, Shange recalls her childhood when her family entertained many of the "-men/who changed the world," including Paul Robeson, W.E.B. DuBois, Ray Barretto, Dizzy Gillespie, "Sonny Til" Tilghman, Kwame Nkrumah, and Duke Ellington. Both the words and the rich, nostalgic illustrations are a tribute to these visionaries. Done in oils, the skillfully rendered portraits emphasize facial expressions, clothing, and physical positioning on the page, and provide unmistakable insight into the persona of each individual. Although presented in picture-book format, the poem is sophisticated, and therefore it may need to be read aloud and explained to younger readers. A biographical sketch of each man appears at the end, along with the poem reprinted on a single page.
Mary N. Oluonye, Shaker Heights Public Library, OH
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