Metaphysical Song - Hardcover

Tomlinson, Gary

Hardcover

ISBN 10: 0691004080 ISBN 13: 9780691004082

Publisher: Princeton University Press, 1999

Synopsis

In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its listeners. In doing so, it has articulated changing relations between the self and metaphysics. Tomlinson examines these relations as they have been described by philosophers from Ficino through Descartes, Kant, and Nietzsche, to Adorno, all of whom worked to define the subject's place in both material and metaphysical realms. The author then shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage these changing relations of the subject to the particular metaphysics it presumes.


Covering composers from Jacopo Peri to Wagner, from Lully to Verdi, and from Mozart to Britten, Metaphysical Song details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned. The book offers deep-seated explanations for opera's enduring fascination in European elite culture and suggests some of the profound difficulties that have unsettled this fascination since the time of Wagner.

About this title

About the Author

Gary Tomlinson is Annenberg Professor in the Humanities at the University of Pennsylvania and has held Guggenheim and MacArthur fellowships. His books include Monteverdi and the End of the Renaissance and Music in Renaissance Magic: Toward a Historiography of Others.

From the Back Cover

"A fascinating and sensitive study of how philosophers have probed the problem of subjectivity through the passage of the operatic voice. Tomlinson's work is notable for the way it combines a thorough knowledge of the history of music and opera with an understanding of contemporary problems of theory and methodology."--Lydia Goehr, Columbia University

"This extraordinary book offers us an 'alternative story' of the history of opera. . . . [It] will have an important . . . effect on the way we think about opera."--Roger Parker, Oxford University

From the Inside Flap

"A fascinating and sensitive study of how philosophers have probed the problem of subjectivity through the passage of the operatic voice. Tomlinson's work is notable for the way it combines a thorough knowledge of the history of music and opera with an understanding of contemporary problems of theory and methodology."--Lydia Goehr, Columbia University

"This extraordinary book offers us an 'alternative story' of the history of opera. . . . [It] will have an important . . . effect on the way we think about opera."--Roger Parker, Oxford University

Reviews

As Tomlinson (humanities, Univ. of Pennsylvania) states in his preface, This is not a history of opera. Although the seven chapters are organized roughly along historical lines from late Renaissance to modern, Guggenheim and MacArthur fellowship recipient Tomlinson feels no obligation to present anything resembling the usual kind of survey. Instead, he picks and chooses his examples on a quite different level in order to discuss broad issues of representation, comprehension, social context, and their changes over the centuries. Integrating history, drama, and philosophy, Tomlinsons discussion centers around the way music and text represent emotion; how the composer uses voice, characterizations, and plot; and how he communicates the real and unreal to his audience. Not since Joseph Kermans Opera as Drama (1952; Univ. of California, 1988. reprint) has there been such a well-written, wide-ranging, and thought-provoking look at opera. Highly recommended.Timothy J. McGee, Univ. of Toronto
Copyright 1999 Reed Business Information, Inc.

Edition details

• Publisher: Princeton University Press
• Publication date: 1999
• Language: English
• ISBN 10: 0691004080
• ISBN 13: 9780691004082
• Binding: Hardcover
• Number of pages: 192