Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de'Medici, Botticelli's Primavera cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program and, in turn, the Renaissance itself. In this analysis Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the Primavera was created. A celebration of Love, the painting is shown to incorporate both public and private imaginative realms while embracing the ideal and the actual experiences of the present.
The Primavera, depicting Venus as the spirit of Love and springtime, is simultaneously old-fashioned and modern, rooted in International-Style vernacular conventions and evincing a nascent classical vocabulary. After describing the profoundly humanist classical foundation of the invention of the Primavera, Dempsey identifies its genre with rustic song, then relates the painting to the conventions of vernacular love poetry. A close reading of the painting in relation to works by Lorenzo, Politian, Pulci, and other poets working to elevate vernacular expression by infusing native Tuscan with Latin forms suggests how the idea of Love portrayed by Botticelli in the form of Venus incorporates not only the ancient springtime renovatio mundi but also the actual cultural renovation--the Renaissance--imagined and sponsored by Lorenzo the Magnificent.
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Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de'Medici, Botticelli's Primavera cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program, and, in turn, the Renaissance itself. In this analysis Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the Primavera was created.
Charles Dempsey is Professor of Art History at the Johns Hopkins University. He is author of Annibale Carracci and the Beginnings of Baroque Style (I Tatti Monographs), and coauthor, with Elizabeth Cropper, of Nicholas Poussin: Friendship and the Love of Painting (Princeton).
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. PUBLISHER: Princeton University Press DATE/EDITION: 1992, First edition (1-10) BINDING: Hardbound, 173 pages. DUST JACKET: Very good, clean and bright with no rips. BOOK CONDITION: Very good, unmarked text, tight binding, clean inside and out. DESCRIPTION: Well illustrated. Seller Inventory # 009292
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Hardcover. grey cloth boards w/ black spine printing. 174 pp., 29 BW plates, 16 color plates. glossy black illustrated dustjacket. Photo shown is of a paperback edition from our inventory; this is the HARDCOVER edition. "Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de' Medici, Botticelli's Primavera cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program and, in turn, the Renaissance itself. In this analysis Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the Primavera was created. A celebration of Love, the painting is shown to incorporate both public and private imaginative realms while embracing the ideal and the actual experiences of the present. The Primavera, depicting Venus as the spirit of Love and springtime, is simultaneously old-fashioned and modern, rooted in International-Style vernacular conventions and evincing a nascent classical vocabulary. After describing the profoundly humanist classical foundation to the invention of the Primavera, Dempsey identifies its genre with rustic song, then relates the painting to the conventions of vernacular love poetry." VG (light smudges to cloth. light sunning to board edges. dustjacket has scuffs & scratches; flaps creased). Seller Inventory # 192744
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Leinen. Condition: Sehr gut. XIV, 173 Seiten ; Ill. ; Sprache: Englisch sehr guter Zustand, wirkt ungelesen, Schutzumschlag mit leichten Einrissen Sprache: Englisch Gewicht in Gramm: 950. Seller Inventory # 52598
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