These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
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Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Volume two only. The binding is tight, corners sharp. Text unmarked. Some light foxing on the fore and bottom edges of the text block. The dust jacket shows some very light handling, in a mylar cover. 8vo. xxvii, 296pp. Seller Inventory # NOWabeFF2
Book Description Condition: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-E-032-01523
Book Description Condition: Good. Volumes 1,2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:0691055181. Seller Inventory # 9248315
Book Description Hardcover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. The second volume of Richard Abel's "history/anthology" of French film theory and criticism covers the period 1929-1939 and the transition from the silent to the sound film. In the years when Jean Renoir, René Clair, and Jean Vigo produced most of their masterpieces, the French debated intensely over the sociology and politics of the cinema as well as its use as a vehicle for fantasy and realism. Abel provides an overview of these debates in three probing and concise essays. He illustrates his analyses with excerpts from the writings of major French directors as well as authors like Jean Epstein, Marcel Pagnol, and Georges Sadoul. Book. Seller Inventory # 021399
Book Description Hard Cover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Very good hardcover with no dust jacket. Volume 2 only. Seller Inventory # 210613-RD72
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Princeton University Press (1988). Volume II only. Seeming first edition hardcover in very good condition with clean, unmarked pages which are free from notes and underlining. name of original owner on opening blank page. No marking to clothbound boards and very light wear to dustjacket which is similarly in very good condition. Dispatched from UK within three days. Seller Inventory # ABE-1708687445880
Book Description Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France. 16 256x2 54x23 622cm. 1988. Relié. 328 pages. Très bon état. Seller Inventory # 500041019