The Fourth Dimension And Non-Euclidean Geometry in Modern Art appeared in a new, revised edition from MIT Press in 2013 (hardback) and in 2018 (paperback), replacing the original 1983 publication from Princeton Press. The new book augments the original text with a 100-page "Reintroduction" that augments the original book's contents and surveys the history of the concept in art and culture from 1950 to 2000.
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Linda Dalrymple Henderson is David Bruton, Jr., Centennial Professor in Art History and Regents Outstanding Teaching Professor at the University of Texas at Austin. She is the author of Duchamp in Context: Science and Technology in the Large Glass and Related Works and Reimagining Space: The Park Place Gallery Group in 1960s New York and coeditor of From Energy to Information: Representation in Science and Technology, Art, and Literature.
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Seller: HPB-Red, Dallas, TX, U.S.A.
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Seller: Chris Grobel, Arlington, TX, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. Princeton University Press (NJ) 1983 First Edition. Very Good + in large paperback wraps (light diagonal crease on the lower right corner of the front panel). 453 pages plus 115 black and white plates at the end of the book. Seller Inventory # ABE-1730065317895
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Softcover. Condition: Very Good. First edition, trade paperback, has a moderate lean to the binding, bumps to the spine ends and corners, light sunning to the spine, rubbing with some smudging to the covers, foxing starting to the edges of the text block, and a previous owner's name neatly penned to the inside front cover. Overall, this is a solid, tight, Very Good copy with clean pages. Seller Inventory # 203462
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Seller: RareNonFiction, IOBA, Ladysmith, BC, Canada
Paperback. Condition: Good. Limited Paperback Edition. 455 pages plus section of black and white plates. "As a prelude to her analysis of modern art in France, Italy, Russia, Holland, and America, author provides a history of the popularization of the n-dimensional and non-Euclidean geometries during the nineteenth century. In particular, discusses writers who developed the philosophical and mystical implications of higher spatial dimensions and traces their influence on the major art movements of the period. The fourth dimension and non-Euclidean geometry captured the imagination of the contemporary public. This lost tradition of spatial concepts, as resurrected and presented here, supplies a critical and long-neglected element in the history of twentieth-century art." - from back cover. Prior owner's name atop first blank leaf. Average external wear and soiling. Binding tight and square. A sound copy of this important work. Seller Inventory # 53ac7095
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