Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
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"Most accounts of 1968 in Paris are either bathed in nostalgia or marinated in disappointment. We are thus all in Richard Wolin's debt for his careful and dispassionate account of those years.The Wind from the East is by far the best history I have read in any language of the Maoist moment in France. Sympathetic without being apologetic, Wolin is particularly deft at evaluating the heritage of France's controversial cultural revolution for contemporary politics. No one interested in the upheavals of the sixties should miss this book."--Tony Judt, author ofPostwar: A History of Europe since 1945
"Richard Wolin has written a fascinating account of the French Left's Maoist moment, which pays all due attention to its follies and fantasies, but also manages to capture and to value its liberating effects."--Michael Walzer, Institute for Advanced Study
"The imperative to unify theory and practice has often led intellectuals down garden paths, perhaps none as hazardous as the one followed in the l960s by the French thinkers who embraced Mao's Cultural Revolution from afar. With understanding for their motivations, exasperation for their self-delusions, and appreciation for the unintended consequences of their actions, Richard Wolin recounts with sympathetic irony the follies and glories of intellectual commitment at its most extreme."--Martin Jay, University of California, Berkeley
"A lively and engaged history, sure to provoke debate."--Warren Breckman, University of Pennsylvania
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Book Description Condition: New. Book is in NEW condition. 1.54. Seller Inventory # 0691129983-2-1
Book Description hardcover. Condition: new. First Edition (1st printing). How Maoism captured the imagination of French intellectuals during the 1960sMichel Foucault JeanPaul Sartre Julia Kristeva Phillipe Sollers and JeanLuc Godard During the 1960s a whos who of French thinkers writers and artists spurred by Chinas Cultural Revolution were seized with a fascination for Maoism Combining a merciless expos of leftwing political folly and crosscultural misunderstanding with a spirited defense of the 1960s The Wind from the East tells the colorful story of this legendary period in France Richard Wolin shows how French students and intellectuals inspired by their perceptions of the Cultural Revolution and motivated by utopian hopes incited grassroots social movements and reinvigorated French civic and cultural lifeWolins riveting narrative reveals that Maoisms allure among Frances best and brightest actually had little to do with a real understanding of Chinese politics Instead it paradoxically served as a vehicle for an emancipatory transformation of French society French student leftists took up the trope of cultural revolution applying it to their criticisms of everyday life Wolin examines how Maoism captured the imaginations of Frances leading cultural figures influencing Sartres perfect Maoist moment Foucaults conception of power Sollerss chic leftist intellectual journal Tel Quel as well as Kristevas book on Chinese womenwhich included a vigorous defense of footbindingRecounting the cultural and political odyssey of French students and intellectuals in the 1960s The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France. Seller Inventory # DADAX0691129983
Book Description TAPA DURA. Condition: New. Seller Inventory # 100876188