As the commercialization of American higher education accelerates, more and more students are coming to college with the narrow aim of obtaining a preprofessional credential. The traditional four-year college experience--an exploratory time for students to discover their passions and test ideas and values with the help of teachers and peers--is in danger of becoming a thing of the past. In College, prominent cultural critic Andrew Delbanco offers a trenchant defense of such an education, and warns that it is becoming a privilege reserved for the relatively rich. In arguing for what a true college education should be, he demonstrates why making it available to as many young people as possible remains central to America's democratic promise. In a brisk and vivid historical narrative, Delbanco explains how the idea of college arose in the colonial period from the Puritan idea of the gathered church, how it struggled to survive in the nineteenth century in the shado
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COURSE USE ENDORSEMENT: "We were the first to use College in a first year writing program. The book has been widely successful and served as a wonderful platform for classroom discussions about why students are in school, what do they want to learn, and who they think they want to become. Great praise to Andy Delbanco for writing such a compact book containing both history and wisdom."--Eli C. Goldblatt, Director of First-Year Writing and a professor of English at Temple University
COURSE USE ENDORSEMENT: "Andrew Delbanco's College offers first year undergraduates multiple perspectives onto an experience that each one of them is encountering for the very first time. It is a sophisticated but accessible text that speaks in multiple registers, challenging faculty, professional staff, graduate students, and undergraduates of all ages to think about the past, present, and future of the institution in which they work and live. As a common reading, College provides a framework for the question that every freshman in some way is asking throughout the year--what should college be? That very big question is at the center of a book that asks undergraduates to confront the ethical dilemmas posed by the increasing costs of a higher education that ever fewer people can afford. It also challenges students who will be our future leaders to consider what such inequality might portend for an American democracy whose vitality requires an educated majority citizenry."--Frank Wcislo, Dean of The Ingram Commons, Associate Professor of History and European Studies, Vanderbilt University
COURSE USE ENDORSEMENT: "I have been using the book in a freshman seminar in which we are exploring college. Most of the texts we are using are academic satire novels, but we are using Delbanco's book to help us talk about the place of college in American culture. Although some of the students are not as interested in the historical background, they do find his discussion of the current state of college to be interesting and informative. For example, nearly all of my students are on some form of financial aid, and when they read Delbanco's examination of the costs of college, they seem to wake up intellectually. For them, Delbanco's critique speaks directly to their own experiences and frustrations, and they appreciate learning the contexts. More to the point, they deeply appreciate seeing their anxieties about the costs of college are taken seriously enough to warrant such careful attention by Delbanco. My students also found Delbanco's analysis of teaching and learning methods interesting and informative. They have their own opinions about what creates a good classroom experience, but they had never before seen someone examine different classroom methods in a systematic fashion. Delbanco's discussion of "lateral learning" seemed to provoke the most interesting discussion, and we spent almost an entire class session talking about why that might work in some classes but not others and why they liked and disliked that method of classroom management. Delbanco also spoke at one of our campus colloquia, where he was well received. In the question and answer after his talk, one of my students asked a question, and he was impressed by how seriously Delbanco took his question and how carefully he answered. Delbanco's serious response highlights what my students most appreciated in his book. He takes the entire concept of education seriously and demonstrates a deep understanding of not just the state of the university as it applies to faculty and administrators but also the way it affects the largest--and most important--constituency: the students. It was a revelation to my students that someone in Delbanco's position would take the trouble to think about what it means to be a student."--Richard M. Magee, Ph.D., Associate Professor of English, Director of the Thomas More Honors Livin
Andrew Delbanco is the Mendelson Family Chair of American Studies and the Julian Clarence Levi Professor in the Humanities at Columbia University. His many books include Melville: His World and Work (Vintage), which won the Lionel Trilling Award and was a finalist for the Los Angeles Times book prize in biography. He is a recipient of the 2011 National Humanities Medal for his writing that spans the literature of Melville and Emerson to contemporary issues in higher education.
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