What painting can teach us―if we can really learn to see them
What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.
By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.
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"Arasse was a terrific writer with a brilliant mind and this book is redolent with wit and intellectual authority. He has a wonderful way of asking questions, of taking the reader with him on his intellectual journey. In this case each journey begins with the problem posed by a single prominent old-master painting, and ranges widely from there across interpretive and historical concerns. The informal, speculative, and performative quality of Arasse's voice in these pages will help assure the book's wide appeal and accessibility."--Marc Gotlieb, Williams College
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Book Description Hardcover. Condition: New. 1. What paintings can teach us-if we can really learn to see themWhat happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings. Seller Inventory # DADAX0691151547
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Book Description Hardcover. Condition: new. Seller Inventory # 9780691151540
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Book Description Condition: New. What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? This title deals with these questions. Translator(s): Waters, Alyson. Num Pages: 176 pages, 43 color illus. BIC Classification: ABA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 177 x 16. Weight in Grams: 562. . 2013. 1st Edition. Hardcover. . . . . Seller Inventory # V9780691151540