The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. Pecola prays for her eyes to turn blue so that she will be as beautiful and beloved as all the blond, blue-eyed children in America. In the autumn of 1941, the year the marigolds in the Breedloves' garden do not bloom. Pecola's life does change — in painful, devastating ways.
What its vivid evocation of the fear and loneliness at the heart of a child's yearning, and the tragedy of its fulfillment.
The Bluest Eye remains one of Toni Morrisons' most powerful, unforgettable novels — and a significant work of American fiction.
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Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus
"This story commands attention, for it contains one black girl's universe."
--Newsweek
"Toni Morrison's The Bluest Eye is an inquiry into the reasons why beauty gets wasted in this country. The beauty in this case is black. [Miss Morrison's prose is] so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry...I have said 'poetry,' but The Bluest Eye is also history, sociology, folklore, nightmare and music."
--John Leonard, The New York Times
"A fresh, close look at the lives of terror and decorum of those Negroes who want to get on in a white man's world...A touching and disturbing picture of the doomed youth of [the author's] race."
--L.E. Sissman, The New Yorker
"A profoundly successful work of fiction...so controlled, so good...with the same clean precision that Sherwood Anderson used to carve his troubled little town...Taut and understated, harsh in its detachment, sympathetic in its truth...it is an experience."
--Gary Blonston, Detroit Free Press
"The freshest, most precise language I've run across in years...Toni Morrison is a wizard."
--John A. Williams
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Seller: September Books, CHURCH STRETTON, United Kingdom
Hardcover. Condition: Near Fine. Kate Cary (illustrator). 1st U.K. Edition. APPEARS UNREAD. No wear to hard back book/dust jacket. D/j still has price corner. 164 pages.Pages are clean, bright and tight. No name or inscription.Small original price label on front d/j flap.Blue, black and white Kate Cary jacket design. Seller Inventory # 034245
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Seller: Minster Gate Bookshop (est. 1970), YORK, United Kingdom
Condition: Near Fine. First UK edition, 8vo., pp.(iii),164, blue hardcover, gilt; slight marking/foxing to fore-edges, lower corner of rear board lightly bruised, an otherwise fresh and near-fine copy, in very good unclipped pictorial dust-jacket, which has light creasing to laminate coating where price label has been removed. Seller Inventory # 36889
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Seller: Laureate Fine Books, Poultney, VT, U.S.A.
Condition: Near Fine. Dust Jacket Condition: Very Good+. First British Edition, First Impression. A Near Fine Book in a Very Good or Better Dust Jacket, Unclipped (£4.95). Book has trivial shelf wear and sunning to extremities, otherwise bright and fresh. Text is unmarked. Binding is tight and square. Stunning and Iconic dust jacket designed by Kate Cary is lightly bumped to corners, tail, and crown. Jacket panels are a trifle toned, otherwise fresh and crisp. Hardcover. Octavo. [vi], [1], 2-164pp. Publisher's Blue Cloth, Stamped Gilt Detailing. Seller Inventory # 1383
Seller: JuddSt.Pancras, London, United Kingdom
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. First edition, Signed by Toni Morrison on title page. Signed by Author(s). Seller Inventory # c004412
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