A bracing and hypnotic portrait of the complexities of female friendship from the New York Times bestselling author of The Woman Upstairs.Julia Robinson and Cassie Burnes have been friends since nursery school. They have shared everything, including their desire to escape the stifling limitations of their birthplace, the quiet town of Royston, Massachusetts. But as the two girls enter adolescence, their paths diverge: while Julia comes from a stable, happy, middle-class family, Cassie never knew her father, who died when she was an infant, and has an increasingly tempestuous relationship with her single mother, Bev. When Bev becomes involved with the mysterious Anders Shute, Cassie feels cruelly abandoned. Disturbed, angry and desperate for answers, she sets out on a journey that will put her own life in danger, and shatter her oldest friendship. Compact, compelling, and ferociously sad, The Burning Girl is at once a story about childhood, friendship and community, and a complex examination of the stories we tell ourselves about childhood and friendship. Claire Messud brilliantly mixes folklore and Bildungsroman, exploring the ways in which our made-up stories, and their consequences, become real.
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An Amazon Best Book of September 2017: Claire Messud’s seventh novel, The Burning Girl, may be to adolescent girlhood what The Catcher in the Rye was to generations of boys. It’s one of those novels that seems to encompass all that is important about that intense period of life and love, despite being narrow in scope. Told in the first person by Julia, a young teenager living in a small town outside Boston, there is as much passion here as in like Romeo and Juliet, but the loves at stake are more varied and less certain. Her relationship with her mother, her attraction to a boy at school, and centrally, her childhood friendship with reckless, beautiful Cassie, all prove to be subject to change. Messud’s great theme is mutability; the way that change represents freedom, but also threatens us with loss. In its happiest moments, Cassie and Julia’s friendship allows them to be anyone at all. Too soon, though, the girls’ play becomes constrained by social forces, among them, the power of stories – stories about girls and what can happen to them – and what power they might have over those narratives. Echoes of Greek myths and fairy tales remind readers that Julia’s concerns are ages old, and resonate far beyond her suburban milieu. This is a moving, serious book which I’m recommending to all the women I know – and will be giving to my own teenage daughter in the hopes that this story about stories will help her question, and create, her own. --Sarah Harrison Smith, Amazon Book Review
Claire Messud is a recipient of a Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters. She lives in Cambridge, Massachusetts, with her husband and children.
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