For around 300 years, the harpsichord was the leading domestic musical instrument and often a highly fashionable piece of furniture as well. Usurped by the piano at the beginning of the nineteenth century, it was taken up again with the first revival of early music at the beginning of the twentieth century. Over the past 40 years, makers have been getting closer to reproducing examples from the historical past. Now, The Art of Making a Harpsichord gives its readers the chance to discover this challenging and rewarding pursuit in a way that is rarely possible without working with an established builder. Beginning with an overview of the instrument, its schools and workshop traditions, the author—himself an experienced maker and researcher—explores the various models and types before leading the reader through the manufacture of an Italian-style instrument, while describing historically-based working methods which are applicable to all traditions. Just as in the seventeenth or eighteenth century, there is no need to rely on large power-tools. This book has been designed to provide assistance to all harpsichord makers, whatever model they choose to make. It is lavishly illustrated with line drawings and photographs, the latter taken—wherever possible—from antique examples that give the reader as full an understanding as possible of the quality of these beautiful instruments.
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Originally from Western Australia, Darryl Martin moved to the United Kingdom in the 1980s to work as a harpsichord maker. Increasingly interested in the study of antique examples, he pursued this research as a PhD (awarded in 2003) and since 2004 has been curator of the Edinburgh University Collection of Historic Musical Instruments, which is home to the celebrated Raymond Russell and Rodger Mirrey keyboard instrument collections. A regular writer for major journals and a speaker at international conferences, he is also active as a lecturer and postgraduate supervisor at the University of Edinburgh.
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21.5 cm x 29.5 cm. 256 pages. Original Hardcover with original dustjacket in protective collector's mylar. Our book has the advantage to be placed in protective collector's mylar, which will keep it valuable and preserved for a long time to come. Near Fine, close to new condition. Includes for example the following essays: Compass / Disposition / Italy / Iberia / The Low Countries / Virginals and spinets / A "copy" or not? / Pitch, disposition and compass / Purchasing drawings / Adding a transposition facility / Historical Italian alterations / Petit Ravalement / Lighting / Workshop and Tools: Lighting, Humidity. / Italian-style construction: Inner-outer or integral case? / Making the jacks: Planing the blocks to width; Slicing the blocks; The tongue and damper slots; The brass spring. / Making upper and lower registers / The soundbars / Action alignment / Mouldings / The keyboard: making the arcades; The accidental touchplates; Action cloths./ Jackrail and jackrail blocks / Metalwork / Decoration: Gesso; Varnishing; Gilding.etc. "For around three hundred years, the harpsichord was the leading domestic musical instrument and often a highly fashionable piece of furniture as well. Usurped by the piano at the beginning of the nineteenth century, it was taken up again with the first revival of early music at the beginning of the twentieth century. Over the past forty years, makers have been getting closer to reproducing examples from the historical past. Now, The Art of Making a Harpsichord gives its readers the chance to discover this challenging and rewarding pursuit in a way that is rarely possible without working with an established builder. Beginning with an overview of the instrument, its schools and workshop traditions, the author - himself an experienced maker and researcher - explores the various models and types before leading the reader through the manufacture of an Italian-style instrument, while describing historically-based working methods which are applicable to all traditions. Just as in the seventeenth or eighteenth century, there is no need to rely on large power-tools. This book has been designed to provide assistance to all harpsichord makers, whatever model they choose to make. It is lavishly illustrated with line drawings and photographs, the latter taken - wherever possible - from antique examples that give the reader as full an understanding as possible of the quality of these beautiful instruments." (Publisher) Sprache: english. Seller Inventory # 72232AB
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Hardcover. Condition: new. Hardcover. For around 300 years, the harpsichord was the leading domestic musical instrument and often a highly fashionable piece of furniture as well. Usurped by the piano at the beginning of the nineteenth century, it was taken up again with the first revival of early music at the beginning of the twentieth century. Over the past 40 years, makers have been getting closer to reproducing examples from the historical past. Now, The Art of Making a Harpsichord gives its readers the chance to discover this challenging and rewarding pursuit in a way that is rarely possible without working with an established builder. Beginning with an overview of the instrument, its schools and workshop traditions, the authorhimself an experienced maker and researcherexplores the various models and types before leading the reader through the manufacture of an Italian-style instrument, while describing historically-based working methods which are applicable to all traditions. Just as in the seventeenth or eighteenth century, there is no need to rely on large power-tools. This book has been designed to provide assistance to all harpsichord makers, whatever model they choose to make. It is lavishly illustrated with line drawings and photographs, the latter takenwherever possiblefrom antique examples that give the reader as full an understanding as possible of the quality of these beautiful instruments. *A detailed exploration of how historical harpsichords were made, with instructions on how the modern reader can do the same. *Comprehensively illustrated with 400 photos and line drawings *Written by an internationally respected musical instrument museum curator and instrument researcher with considerable harpsichord-making experience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780709085706
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Condition: New. 2012. 1st Edition. Hardcover. * A detailed exploration of how historical harpsichords were made, with instructions on how the modern reader can do the same. * Comprehensively illustrated with 400 photos and line drawings * Written by an internationally respected musical instrument museum curator and instrument researcher with considerable harpsichord-making experience. Num Pages: 256 pages, Illustrations. BIC Classification: AKR; AVRG. Category: (G) General (US: Trade). Dimension: 217 x 305 x 24. Weight in Grams: 1390. . . . . . Seller Inventory # V9780709085706
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