Items related to Toward an Architecture
Synopsis
For the Swiss-born architect and city planner Le Corbusier (Charles-Édouard Jeanneret, 1887–1965), architecture constituted a noble art, an exalted calling in which the architect combined plastic invention, intellectual speculation, and higher mathematics to go beyond mere utilitarian needs, beyond "style," to achieve a pure creation of the spirit which established "emotional relationships by means of raw materials."
The first major exposition of his ideas appeared in Vers une Architecture (1923), a compilation of articles originally written by Le Corbusier for his own avant-garde magazine, L'Esprit Nouveau . The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.
Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."
Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.
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About the Author
Jean-Louis Cohen is the Sheldon H. Solow Chair in the History of Architecture at New York University’s Institute of Fine Arts. He has written extensively on Le Corbusier’s work. John Goodman is a translator and art historian. He has rendered some thirty books from French into English.
Review
“A new translation by John Goodman with an introduction by the architectural historian Jean-Louis Cohen will allow architecture buffs to experience Le Corbusier’s manifesto in its full glory.”—The New York Times
Chosen as a Favorite Book of 2007 by the Art and Architecture Critics of The New York Times
“If modern architecture has a bible, it is Vers une Architecture.”—Dwell
“Bursting with passion, wit and aphorisms . . . this seminal polemic is well worth reading (or rereading) for Le Corbusier’s incisive analysis of early 20th Century architecture . . . Jean-Louis Cohen’s scholarly introduction sheds fresh light on what exactly Le Corbusier was up to when he justaposed pictures of the Parthenon and modern roadsters on the book’s lively pages.”—Chicago Tribune
"The restoration of missing passages, of Le Corbusier’s idiosyncratic use of language, of key terms, of typography, and even of the original title is refreshing and timely."—Artforum
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