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Book Description Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 39069142-75
Book Description Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within. Seller Inventory # bk071266789Xxvz189zvxgdd
Book Description Paperback. Condition: Very Good. Michelangelo's art is exhilarating, but also bewildering. What is the source of his incomparable power? In this bold and absorbing study, the art critic James Hall explores the body-language of Michelangelo's figures, and his preoccupation with the male nude. He answers many of the major puzzles - his stern Madonnas and their lack of maternal feeling; his concern with colossal scale and size; his passion for anatomical dissection; the meaning of the drawings made for his young lover Tommaso da Cavalieri. By asking basic questions about Michelangelo and his times, Hall sheds dramatic new light on many of his most familiar works, including the statue of David, the narratives of the Sistine Chapel ceiling, and his haunting late images of the dead Christ. This book re-assesses the popular idea of Michelangelo as an artist-superman possessed of titanic mental and physical powers, and the long-held view of him as brilliant but unbalanced, obsessed with the male nude. Hall sees him as the first artist to put the unadorned human body centre stage, giving him a profound relevance to our own time, in which visual artists and writers are so fixated on 'the body'. If we really want to understand our own culture, he argues, we need to understand Michelangelo. This compelling new study offers us a way to do so. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR005547766
Book Description Condition: VeryGood. Most items will be dispatched the same or the next working day. Seller Inventory # wbs6898214154
Book Description Softcover. Condition: Fair/Good. Name to fep. Light pencil annotations affecting eleven pages, otherwise unmarked (and not extending beyond p.33). The text block edges are conspicuously foxed, with some spare light foxing also affecting a few page edges. Clean and tight cover, minor rubbing, light wear to the corners, else fine. There is no creasing at all to the spine. Essentially, a very serviceable reading or study copy only. xxi, 312pp. Illustrated. 31 plates. Seller Inventory # 2814
Book Description Hardcover. Condition: Very Good. Well bound lean copy. Foxing to ffep and outer page edge: 312 pages and illustrations. Seller Inventory # ABE-1639627583110
Book Description Paperback. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Seller Inventory # mon0000683998
Book Description Buch in GUTEM Zustand, kaum Gebrauchsspuren. Book in GOOD condition, few traces of use. 9780712667890 Sprache: Englisch Gewicht in Gramm: 550. Seller Inventory # 2137078
Book Description Paperback. Condition: Very Good. PAPERBACK. 23x15cm. xxi+312 pages plus 31 plates. Flat spine has a light crease. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref D60. Seller Inventory # 040165
Book Description paperback. Condition: Good. Good. book. Seller Inventory # D8S0-3-M-071266789X-4