The mystery and beauty of Celtic tradition is colorfully reflected in its art, from the heyday of tribal pagan worship to the scriptures and accounts of Celtic Christian saints. Courtney Davis captures the essence of the spiritual and artistic link developed by this unique race long ago in gorgeous full-color representations, along with a lively narrative of the scribes charged with preserving it all.
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Celtic design, rich and mysterious, surrounds us in the Western world. The resurgence of Celtic music, interest in illustrated manuscripts like The Book of Kells and the Lindisfarne Gospels, and the success of all things New Age have made zoomorphic ornaments, key patterns, and interlaced knot-work part of the artist's visual vocabulary. Born in South Wales and renowned as an artist and expert on Celtic art, Davis gives us ways of interpreting Celtic imagery, a description of its tools and methods, and an understanding of the monastic lives of the scribes who created it. Less a how-to book than an appreciation of the art form, this will be a very useful source for artists. Though it lacks color illustrations, it is more useful than Andy Sloss's narrowly focused How To Draw Celtic Key Patterns (LJ 3/15/98). For a more traditional workbook, see Aidan Meehan's Celtic Design: A Beginner's Manual (Thames & Hudson, 1991).
Copyright 2001 Reed Business Information, Inc.
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Hardcover. Condition: USED_VERYGOOD. Dust Jacket Condition: VG+. Author (illustrator). 1st. Celtic design and illustration can be traced back to 800BC, with more advanced patterns, including flowers and imapinative symbolism which became a feature developned in Switzer;land about the 4th and 5th centuries BC. A thousand years later the these syles were adapted by the pagen occupants of the British Isles, with the emphasis shifting to godesses and astronomical symbolism. particularly in metal ornamentation and jewellery. These Celts, on the arrival of Christianity, were artistically adaptable,turming to religious depictions and it is this epoch that forms the main basis of the book. The author was assisted by Fiona Graham-Flynn, with additional text and calligraphy. First edition, published by Blandford in 1996. 96 pages including sources list, acknowledgements and index, b/w art designs throughout. with text presented in type and calligraphy. Purple hard covers with gilt spine titles VG+, ink gift inscription and former owner stamp top FFEP, text block otherwise NF. Colour art DJ is VG+. Seller Inventory # 004264
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