Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore the problematic character of metaphors, analogies, symbols, myths, conventions and traditions in art and art-historical writing, and investigate the notions of representation, expression, abstraction and illusion.
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Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews. Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.
"A worthy successor to the earlier books, exhibiting to a high degree their author's supreme merit as a theorist of art."-New Statesman
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[0-7148-3245-6] 1994. (Small 4to paperback) Near fine. 182+. Notes, index, bibliography, photographs, illustrations. The back cover is lightly rubbed. "Meditations on a Hobby Horse, originally published in 1963, was the first volume in the author's long and distinguished series of collected essays. In it he addresses some of the most fundamental questions in the theory of art. Having explored, in the famous title essay, the links between the creation of images and the mentality of the child, he returns to the adult's experience of the arts in the light of the metaphors we use to describe our emotional reactions". (Art, Abstract Art, Aesthetics, Art Criticism, Art Theory, Essays, Expressionism, Psychoanalysis, Romantic Movement). Seller Inventory # 149968
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