For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. This boxed set contains all three volumes of John Pope-Hennessy's work on Italian sculpture. Vol I covers the period from about 1150 to 1400. The sculptors dealt with include Nicola and Giovanni Pisano, Arnolfo di Cambio, Andrea and Nino Pisano, Lorenzo Ghiberti and Jacopo della Quercia. The monuments illustrated include the great Pisano pulpits, the facades of the cathedrals of Siena, Florence and Orvieto, Milan Cathedral and S. Petronio at Bologna, the Scaliger tombs at Verona, the Angevin monuments in Naples and Ghiberti's famous door for the Baptistery in Florence. Volume II, spanning the 15th century, is dominated by the revolutionary genius of Donatello, whose work is illustrated. The author traces through this period the development, or revival of the free-standing statue, the relief, the bronze statuette, the equestrian monument and the portrait bust. Other great masters include Luca della Robbia, Verrocchio, Antonio Rossellino, Desiderio da Settignano, Riccio, Francesco Laurana and Tullio Lombardo. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: Michelangelo and Bernini. Michelangelo forged a new and ideal style, the development of which is traced in the work of Andrea and Jacopo Sansovino, Benvenuto Cellini, Giambologna, Pietro Tacca, Leone Leoni, Alessandro Vittoria and others. The author also describes the artistic problems presented by the statue, relief, portrait, tomb and fountain in the 16th century, culminating in the dramatic innovations of Bernini which ushered in the Baroque style. Each volume consists of an illustrative exposition followed by full scholarly bibliographies, notes to the plates and full indexes. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume can be enjoyed in its own right.
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For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: Michelangelo and Bernini. Michelangelo forged a new and ideal style, the development of which is traced in the work of Andrea and Jacopo Sansovino, Benvenuto Cellini, Giambologna, Pietro Tacca, Leone Leoni, Alessandro Vittoria and others. The author also describes the artistic problems presented by the statue, relief, portrait, tomb and fountain in the 16th century, culminating in the dramatic innovations of Bernini which ushered in the Baroque style. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.
No book on art is more intelligent, more learned and unpretentious, or more infused with passion; it is a tremendously exciting education in art, history, society, the advancement of thought and craft -- in a word, in civilization. -- The New York Times Book Review, D. J. R. Bruckner
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Fourth Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: vol. 2, 444 p. : ill ; 30 cm. Notes: Previous ed., 1985; first published in 1955. Includes bibliographical references and indexes. Contents: v. 2. Italian Renaissance sculpture. Subjects: Sculpture, Italian; Sculpture, Gothic Italy; Sculpture, Renaissance Italy; Sculpture, Baroque Italy; Italy. 1 Kg. Seller Inventory # 410545
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Fourth Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: vol. 2, 444 p. : ill ; 30 cm. Notes: Previous ed., 1985; first published in 1955. Includes bibliographical references and indexes. Contents: v. 2. Italian Renaissance sculpture. Subjects: Sculpture, Italian; Sculpture, Gothic Italy; Sculpture, Renaissance Italy; Sculpture, Baroque Italy; Italy. 1 Kg. Seller Inventory # 410545
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Hardcover. Condition: As New. Complete 3 Volume Set in Slipcase. Volume 1 is still sealed in shrink wrap, Volume 2 and 3 are in excellent condition with fine dust jackets, text is unmarked and pages are tight. Seller Inventory # xovs79
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4°, gebundene Ausgabe, Leinen. Auflage: 4th edition. 1292 Seiten Schuber und Schutzumschläge etwas berieben, Bücher sonst sehr gut erhalten. Drei Bände im Schuber. Sprache: Englisch Gewicht in Gramm: 9450. Seller Inventory # 74807
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4° gebundene Ausgabe. Condition: Wie neu. 4th edition - 3 Volumes. - Gebundenes Buch mit Original-Schutzumschlag. Buch ist wie neu, aus priv. Vorbesitz, ungelesen. 3 Bände im Original-Schuber. Dieser mit minimalen Randläsuren. ISBN: 9780714835808 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 9525. Seller Inventory # 642012
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