Internationally renowned South African artist William Kentridge creates animated movies from #147;drawings for projection,#148; charcoal renderings he alters during filming. Paralleling the political upheaval in his homeland, his works reflect the tenuous nature of memory, both personal andhistorical.Published to accompany Kentridge's first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist's animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished #147;artist's pages#148; for the book. A wealth of colorplates, essays, and an interview exploring various facets of Kentridge's creative process, and a chronology outlining both his and his country's milestones make this book the most comprehensive examination of Kentridge's work to date.
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Examining the black and white animated films of William Kentridge, this volume discusses the political and philosophical dimensions of drawing, a term the artist applies equally to his works on paper, film and theatre productions. It surveys Kentridge's work within a broad historical and geographic context of politicised art practices while analyzing the formal innovations of his animation techniques.
Dan Cameron is a curator based in New York. As Senior Curator at the New Museum of Contemporary Art he organized such landmark exhibitions as 'Cocido y Crudo' (1994), a survey of from Latin America, and has since gone on to curate the 8th Istanbul Biennial (2003) and the Taipei Biennial (2006). He also serves on the graduate teaching faculty of Columbia University, New York University and School of Visual Arts, New York, and is a frequent contributor to such journals as Parkett, Flash Art and Artforum. Carolyn Christov-Bakargiev is Chief Curator at the Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy. In 1998 she curated the first major retrospective exhibition of William Kentridge's work, and in 1999 she edited Arte Povera, also published by Phaidon. J. M. Coetzee is one of South Africa's most distinguished authors and was awarded the Booker Prize in 1983 for his novel Life & Times of Michael K. His other award-winning novels include In the Heart of the Country (1977) and The Master of Petersburg (1994). Coetzee is also Aderne Professor of English at the University of Cape Town.
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Seller: Christison Rare Books, IOBA SABDA, Port Elizabeth, South Africa
4to (290 x 250 mm); wrappers, with laminated pictorial dustwrapper; pp. 160; liberally illustrated with examples of the artist's work. Light crease to top edge of dustwrapper's lower panel; spine panel slightly sunned. Very good condition. "William Kentridge's drawing-based works, encompassing animated films, theatre and opera productions, present a uniquely evocative, emblematic view of the state of South Africa today . American curator and critic Dan Cameron surveys Kentridge's work within the context of politicized art practice while analysing the formal innovations of his animation techniques. European art critic and curator Carolyn Christov-Bakargiev discusses with the artist the political and philosophical dimensions of his relationship to drawing. Booker Prize-winning South African novelist J.M. Coetzee focuses on the artist's animated film History of the Main Complaint (1996), as a pivotal point in the development of Kentridge' best-known characters Soho Ekstein and Felix Teitlebaum.". Seller Inventory # 12324
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Soft cover. Condition: Very Good. Large format paperback with dustjacket. Profusely illustrated with reproductions in colour and black-and-white. Faint edge wear to covers. No marks to inside pages. No reading crease to spine. Binding is firm. 160 pages. s177. Seller Inventory # EDB06188
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