Vito Acconci (Phaidon Contemporary Artists Series) - Softcover

Frazer Ward; Mark C. Taylor; Jennifer Bloomer; Vito Acconci

Softcover

ISBN 10: 0714840025 ISBN 13: 9780714840024

Publisher: Phaidon Press, 2002

Synopsis

Vito Acconci is a key late twentieth-century pioneer of performance, video, installation and the exploration of architectural space. His work has expanded art's boundaries, moving beyond the gallery or museum into shared public spaces. Initially a poet, Acconci began making Conceptual art in the late 1960s. He devised actions, enacted them and documented them with texts, photographs or video. In 1972 he produced the most famous performance installation of its time, Seedbed. In an empty gallery he built a low ramp, concealed beneath which he stimulated himself with sexual fantasies about viewers walking above, speaking his fantasies into a microphone linked to loudspeakers. Startled spectators found themselves implicated in an intimate power relationship between artist and viewer. Since the mid 1980s his work has turned towards experimental architectural projects. In 1988 he set up the architectural practice Acconci Studio, which has public commissions around the world and was featured at the

Venice Architecture Biennale in 2001. Acconci's work remains of vital importance not only to Conceptual art and performance, but to contemporary architectural theory and practice.

About this title

About the Author

Frazer Ward is Assistant Professor of Art History at the Maryland Institute, College of Art, Baltimore. He has taught at a number of other institutions including Bryn Mawr College, Stanford University, and the University of Western Sydney. He is a member of the editorial board of Documents, and writes for such journals and magazines as Frieze, October and Parkett. Mark C. Taylor is Cluett Professor of Humanities at Williams College, Massachusetts, and the co-founder of the Global Education Network. His books include Disfiguring: Art, Architecture and Religion (1992) and The Moment of Complexity: Emerging Network Culture (2001). He contributes regularly to journals and books on philosophy, religion, art, architecture and technology. Jennifer Bloomer is a Principal of Jennifer Bloomer/Robert Segrest architecture in Athens, Georgia. She is the author of Architecture and the Text: The (S)crypts of Joyce and Piranesi (1993), and has been published widely in journals of art, architecture and critical theory. She has written for numerous catalogues including Louise Bourgeois: Memory and Architecture (2000) and Cristina Inglesias (2000).

Review

'The boldest, best-executed and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out)

Edition details

• Publisher: Phaidon Press
• Publication date: 2002
• ISBN 10: 0714840025
• ISBN 13: 9780714840024
• Binding: Paperback
• Language: English
• Number of pages: 160