Outland is the culmination of almost twenty years of work for artist-photographer Roger Ballen and amounts to one of the most extraordinary photographic documents of the late twentieth century. Beginning with the small 'dorps' or villages of rural South Africa, the subject of Ballen's photography moved on in the late 1980s and early 1990s to concentrate on their inhabitants: isolated rural whites, scarred by history, in the process of losing the privileges of apartheid which had provided them with livelihoods and sustained their identity for a generation. The results were shocking, both powerful social statements and disturbing psychological studies. Through the late 1990s and into 2000, Ballen's work has progressed again. Continuing to portray whites on the fringe of South African society, his subjects begin to act. Where previously his pictures, however troubling, fell firmly into the category of documentary photography, his new work moves into the realms of fiction. Ballen's characters act out dark and discomfiting tableaux, providing images which are exciting and disturbing in equal measure. One is forced to wonder whether they are exploited victims, directly colluding in their own ridicule, or newly empowered and active participants within the drama of their own representation.
"synopsis" may belong to another edition of this title.
You have never seen photographs like these before--black-and-white images of people who seem damaged and defective, yet oddly sympathetic, posed in ways that suggest the pitiless workings of heredity and environment. Using a shallow, stagelike space, Roger Ballen gets in close to his subjects--men, women, and children living in remote parts of South Africa.
A woman in a soiled dress shouts at a man whose back is turned--or at the barking dog rearing over his shoulder. A plump fellow in a security guard's uniform stares, wide-eyed, at the camera while one of his meaty hands pins a tiny puppy against the wall. On a patch of raked dirt, a sleeping baby in underpants lies across the intersection of two mysterious tangled lengths of string.
These photographs pose blacks and whites together in ways that suggest enigmatic playfulness or wordless acceptance. In one image, a white woman, blind in one eye, with a face like a rotten apple, wraps her arms around two pug dogs. Next to her, a black woman in a smock stands patiently. Above them, large portraits of children (where are they now?) hang on the dirty wall. It is a scene of care and neglect, loss and resignation.
Ballen's current work occupies an odd niche between documentary and staged photography. The sitters are real people, seemingly in their own environments, and the photographer dignifies them by using their proper names in the captions. But he poses them with live and inanimate objects--a fish, a hammer, a broken baby carriage--in ways that heighten the tension and ambivalence of their situations. Even electrical wire strung on the wall creates a nervous force field. It's as if Diane Arbus and Robert Frank had joined forces with a master of German expressionist theater. --Cathy Curtis
Roger Ballen (b.1950) has lived and worked in Johannesburg, South Africa, for 30 years. Born in New York, he worked as a geologist and mining consultant before starting his own photographic career by documenting the small villages of rural South Africa and their isolated inhabitants. His images are both powerful social statements and disturbing psychological explorations. He is also the author of Shadow Chamber and Boarding House, both published by Phaidon. Peter Weiermair is an art historian and curator. He was formerly Director of the Frankfurter Kunstverein, Germany, the Rupertinum Museum in Salzburg, Austria and the Galleria d'Arte Moderna in Bologna, Italy. Peter Weiermair is Director of the Galleria d'Arte Moderna in Bologna, Italy.
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Seller: RZABASBOOKs, Toronto, ON, Canada
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Seller Inventory # 012247
Quantity: 1 available
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: fine. Dust Jacket Condition: very good(+). Ballen, Roger (illustrator). First. Introduction Peter Weiermair. More than 50 full-page black-and-white photographs. Thin square 4to, glossy pictorial boards, d.w.; minor scuffing and toning to dust wrapper. New York: Phaidon, (2001). First edition. A fine copy in a very good(+) dust wrapper. Seller Inventory # 325688
Seller: Henry Pordes Books Ltd, London, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Square 4to. 120pp. First edition, first printing. White card boards in a jacket. Illustrated w/61 duotone images. A small, 1cm closed tear at head of jacket's spine, as well as some minor edgewear. Internally the book is crisp, clean and complete throughout. Outland is the culmination of almost twenty years work for artist-photographer Roger Ballen and amounts to one of the most extraordinary photographic documents of the late twentieth century. Seller Inventory # 034937
Quantity: 1 available
Seller: Vortex Books, Teddington, MIDDX, United Kingdom
Hardcover. Condition: Fine. 1st Edition. Uninscribed. Moving series of photographs of poor whites in South Africa. Seller Inventory # 7989
Quantity: 1 available
Seller: Last Exit Books, Charlottesville, VA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; First Printing. Hardcover. 4to. Phaidon Press, London, UK. 2001. 120 pgs. 61 duotone illustrations. First Edition/First printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The culmination of nearly 20 years of work, Outland marked Ballen's move from documentary photography into the realms of fiction and propelled him into the international spotlight. Disturbing, exciting and impossible to forget, Ballen's images captured people living on the fringes of South African society. His powerful psychological studies influenced a generation of artists and still resonate today. ; Monographs; 4to 11" - 13" tall; 120 pages. Seller Inventory # 73745
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9780714840581. Seller Inventory # 2390168
Quantity: 1 available
Seller: Rob Warren Books, Richmond, VA, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. True First edition. As New. Still sealed. in Publishers shrink wrap. Seller Inventory # 003404
Seller: Versandantiquariat buch-im-speicher, Berlin, Germany
Condition: Gut. unnum. ca. 60 Blatt: Bildband. Geringfügig bestoßen, privater Eintrag auf der Vorsatzrückseite. Sprache: Englisch Gewicht in Gramm: 1100 26x26 cm, weißer Org.-Pappb. mit Org.-Umschlag. Seller Inventory # 33480
Quantity: 1 available
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Hardcover. Condition: Near fine condition. First edition. Square quarto. Unpaginated. (120)pp. Original white glossy boards with gray lettering on cover and spine, in original dustjacket with the same lettering. Black endpapers. Signed "Roger Ballen" on title page. Illustrated with sixty-one full-page duotone photos of mainly white South Africans on the outskirts of society. "Outland' is the culmination of almost twenty years work for artist-photographer Roger Ballen and amounts to one of the most extraordinary photographic documents of the late twentieth century." (Publisher). Seller Inventory # 54903