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[The Knights were of] the old aristocracy, bringing in slaves and finery from an older civilization. --Ethel Knight, Echo of the Black Horn, 1951Although South Carolina was the birthplace of most Jones County settlers, most of the parents of these settlers, especially those born before 1820, came from North Carolina. Swept by the forces of evangelical revivalism, the Regulator Movement, and the American Revolution, they participated in various "uncivil" wars, creating antiauthoritarian traditions among their descendants that later would support desertion of the Confederacy as well as secession from the Union. Thus the divisions that ripped apart families and neighborhoods in Civil War Jones County would be nothing new for the Welborns, Knights, Collinses, Sumralls, Bynums, Valentines, and Welches, who shared with one another a rich heritage of dissent and conflict.[1]
While it would be a mistake to attribute Southern dissenters' political views and behavior to their ancestors' experiences, that heritage did influence descendants' future economic, geographic, and marital choices, which in turn influenced their Civil War behavior. So important, in fact, is the historical background of participants in the Free State of Jones that it, too, became contested terrain between novelist James Street and local historian Ethel Knight.
Street's allusions to pirates and cousins of color in Tap Roots were part of his effort to link the origins of anti-Confederate sentiment in Piney Woods Mississippi to the ancestry of its participants. Interwoven within his tale of action and romance were the Revolution, the War of 1812, the settling of the frontier, and the historical evolution of relations of class and race from the perspective of his fictional characters. As an author of history as well as fiction, Street wanted readers to understand that the past weighed mightily on the Civil War generation.
To understand Street's effort to connect the Free State of Jones to the Revolutionary era, however, one must read his earlier novel, Oh, Promised Land, published in 1940. The popularity of Tap Roots, reflected in Universal Studio's release in 1948 of a movie by the same name, overshadowed his earlier novel in which he discussed not only race relations but also the class origins and political backgrounds of Piney Woods settlers. Using the Dabneys as a fictional composite of Jones County's early Anglo settlers, Street placed them in frontier Georgia as former Tories, Indian fighters, and plain folk who eventually came to hate the institution of slavery.
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Book Description Condition: New. Seller Inventory # SKU9780715650776