This is a critique of the historical and sexual/social significance of the Italian operas of Mozart, particularly the three he wrote in collaboration with Lorenzo da Ponte ("Le Nozze di Figaro", "Don Giovanni" and "Cosi Fan Tutte"). The author examines the Enlightenment and its music and the various ways in which female and male sexual roles are portrayed.
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Book Description Hardcover. Book Condition: VeryGood. This is a hard cover book. This is an ex library book and has library labels. We ship Monday-Saturday and respond to inquries within 24 hours. Bookseller Inventory # 3O6C9Q001H50
Book Description Manchester Univ Pr, 1991. Hardcover. Book Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Bookseller Inventory # P020719034876