The political poster was one of the most widely discredited and closely policed aspects of cultural life in the former communist bloc. The poster's history is a story of aesthetic, political and finally, national liberation. This comprehensively illustrated comparative analysis of political poster design--drawn from major collections in Belorussia, Croatia, Czech Republic, Germany, Hungary, Latvia, Lithuania, Poland, Russia, Slovenia, and the Ukraine--exemplifies the aesthetic diversity of the region under communist rule.
"synopsis" may belong to another edition of this title.
James Aulich is Senior Lecturer in the History of Art and Design at Manchester Metropolitan University.
Marta Sylvestrova is Curator at the Moravian Gallery, in the Czech Republic.
"About this title" may belong to another edition of this title.
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