"Harris tells a powerful story of war’s destruction of property, people, hopes, and morals during the Civil War in Louisiana. This is top-notch historical fiction, thoroughly researched and vividly presented, revealing the Civil War in all its brutality. Publishers Weekly
“This story of love, loss, and growing up under some of the most difficult circumstances imaginable is beautifully written, superbly researched, emotionally engaging and gripping from first page to last. A must for old-school fans of historical fiction.” Booklist Starred Review
I killed a man the summer I turned thirteen . . .
Thus begins C. S. Harris’s haunting, lyrically beautiful tale of coming of age in Civil War-torn Louisiana. Eleven-year-old Amrie St. Pierre is catching tadpoles with her friend Finn O’Reilly when the Federal fleet first steams up the Mississippi River in the spring of 1862. With the surrender of New Orleans, Amrie’s sleepy little village of St. Francisville – strategically located between the last river outposts of Vicksburg and Port Hudson – is now frighteningly vulnerable. As the roar of canons inches ever closer and food, shoes, and life-giving medicines become increasingly scarce, Amrie is forced to grow up fast. But it is her own fateful encounter with a tall, golden-haired Union captain named Gabriel that threatens to destroy everything and everyone she holds most dear.
Told with rare compassion and insight, this is a gripping, heart-wrenching story of loss and survival; of the bonds that form amongst women and children left alone to face the hardships,depravations, and dangers of war; and of one unforgettable girl’s slow and painful recognition of the good and evil that exists within us all.
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C.S. Harris graduated with a degree in Classics before earning a Ph.D. in European history. A scholar of the French Revolution and 19th-century Europe, she has lived in Europe and various far-flung parts of the old British Empire. She now lives in New Orleans with her husband and two daughters.
I killed a man the summer I turned thirteen. Sometimes I still see him in my dreams, his eyes as blue as the Gulf on a clear spring morning, his cheeks reddened by the hot Louisiana sun. His face is always the same, ever young and vital. But the bones of his hands are bare and stained dark by the fetid mud of the swamps, and his scent is that of death.
Yet even worse are the nights when I lie awake, when a hot summer wind shifts the festoons of Spanish moss hanging from the arching branches of the live oaks down by the bayou and whispers through the canebrakes in a sibilant rush. That’s when the fear comes to me, cold and soul-shrivelling, and I find myself listening lest the hushed breath of the dead betray the secret of what we did that day.
I tell myself his mouth is filled with earth, his tongue turned to dust. But the dead don’t need to speak to bear witness to the wrongs done them. And though I tell myself the wrongs were his, and that no just God could condemn my actions on that fateful morning, it is a desperate reassurance that brings no real rest. If this war has taught us anything, it is that convictions of righteous certitude can be soul-corrupting illusions that offer no dispensation from hell.
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