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Victor S. Johnston is a professor of biopsychology at New Mexico State University in Las Cruces. His research on beauty has been featured in Newsweek and in "The Science of Sex," a Discovery Channel documentary.
The world, according to Johnston, professor of psychobiology at New Mexico State University, is dramatically different from the way in which any of us experience it. In fact, he argues, the world is a dark, silent, tasteless, odorless and colorless place. We create all that we sense: the brilliant color of a sunset, the mouthwatering sweetness of a peach, the acrid odor of rotten eggs. All of our sensual abilities, indeed our ability to feel any emotions, are best envisioned as emergent properties of the neural processes in our brain. Sugar, for example, is neither inherently sweet nor satisfying. Rather, we believe it so because over evolutionary time those most drawn to the energy in sugar were the ones most likely to survive and successfully reproduce. Johnston does an impressive job of explaining how millions of years of evolution are capable of yielding complex behaviors. He demonstrates that computers are capable of learning and developing preferences. Arguing by analogy, he concludes that human reasoning and likes and dislikes are outgrowths of the evolutionary process by which neural networks deal with rapidly changing environments. Johnston concludes his challenging book by discussing the implications this sort of evolutionary worldview has on the concept of free will.
Copyright 1999 Reed Business Information, Inc.
Pushing the Darwinist explanation of the mind, Johnson maintains that our emotions are "evolved adaptive illusions of a conscious mind." Whatever one's opinion of his argument, one can't gainsay the welcome rhetorical clarity of its presentation. Johnson is a psychobiologist who here interweaves his computerized experiments on facial recognition with an interpretation of the evolutionary advantages promoted by the primary emotions of fear, anger, joy, sadness, surprise, and disgust. These are emergent functions of the brain's organization, proposes Johnson, and their evolutionary fitness is shaped by each emotion's hedonic tone (pleasant or unpleasant) and its intensity. Tone and intensity receive the interesting definition of being "amplifications of the ultimate reproductive consequences arising from current . . . social circumstances" --that being one explanation of a person's disappointment over a dateless Saturday night. Johnson mitigates his material view of mind with the practical question of what being human would be like without emotion: quite possibly, impossible. Ably argued, his work is a provocative exploration of the emotional component of the mystery of consciousness. Gilbert Taylor
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