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Christopher Locke has worked for Fujitsu, Ricoh, the Japanese government's "Fifth Generation" artificial-intelligence project, Carnegie Mellon University's Robotics Institute, CMP Publications, Mecklermedia, MCI, and IBM. He has written extensively for publications such as Internet World, Information Week, The Industry Standard, Esther Dyson's Release 1.0, Forbes, and Harvard Business Review. His professional work has been covered by Fast Company, Wired, Advertising Age, BusinessWeek, Fortune, the New York Times, the Wall Street Journal, and many others. Locke is co-author of The Cluetrain Manifesto and author of Gonzo Marketing: Winning Through Worst Practices.
RageBoy, the cyber-handle of gonzo-journalist Locke, has collected here his online columns, mostly from his Web zine, Entropy Gradient Reversals. Entries range from the autobiographical (his LSD and drinking years, followed by his own weird version of sobriety) to mock-interview (his chats with TV horse Mr. Ed or "Moe Ron Hubbard, father of Diuretics and Sayonaralogy"). Favorite targets include corporate culture (which he'd consider an oxymoron) and academic posturing (his "Snack with Andr‚" imagines situationist philosopher Guy Debord as Port Authority panhandler DeMerde; his piece "deriding Derrida" exposes French postmodernists as so many "petty control freaks"). While his rants take potshots at a variety of cultural sacred cows (including a wicked analysis of America's fondness for the Weather Channel), it's Locke's own history as an early artificial intelligence/cyberspace pioneer that informs his most damning critique the co-optation of the Internet. In the early days, people who knew how the Internet worked "were mainly using it to fuck off We thought it was important to fuck off." They wanted the Internet to be different from all the other media, a place to "tell stories" about things that mattered, like "heaven, earth, man, woman." But it wasn't long before the "marketing boys" took over, reducing the Net to just another way to sell product. Resurrect William Burroughs, Charles Bukowski and Ken Kesey, add a dash of Dilbert and that's RageBoy. Though it's not for everyone, this "browser-free format" may bring in new audiences. (Feb.)Forecast: This work will be popular with college kids at places like Berkeley readers of Locke's earlier Gonzo Marketing may not get these rants.
Copyright 2002 Cahners Business Information, Inc.
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