Clerical Errors: A Novel - Hardcover

Isler, Alan

Hardcover

ISBN 10: 0743210603 ISBN 13: 9780743210607

Publisher: Scribner, 2001

Synopsis

Errant priest Father Edmond Music, a Jew who had converted to Catholicism, becomes caught up in a conspiracy involving a stolen Shakespeare folio, a love affair with his housekeeper, a vengeful American priest, and an eighteenth-century Jewish mystic.

About this title

About the Author

Alan Isler was born in London in 1934 and came to America as a young man. He taught English literature at the City University of New York for twenty-five years. His first novel, The Prince of West End Avenue, won the 1994 National Jewish Book Award and was one of five fiction finalists for the National Book Critics Circle Award. His second novel, Kraven Images, was published in 1996. The Bacon Fancier: Four Tales appeared in 1997. He lives in New York City and Sag Harbor.

Reviews

Father Edmond Music is no model priest. For one thing, he is a stone cold atheist. For another, he has been a sexual athlete in his time, and still sleeps with his housekeeper, Maude Moriarty. Not only has he enjoyed a robust sex life, he's profited from it: his lover nearly 50 years before, in the 1950s, English Lady Violet Devlin ("Kiki"), gave the church her inherited family seat, Beale Hall, to be turned into a scholarly Catholic retreat with the proviso that Music be its director general. These blips on Music's moral radar don't bother him, really but he is irked by what he sees as the bloody strain of anti-Semitism in the church and his complicity in it. Music was, after all, born a Jew. In occupied France, his parents thought it the better part of valor to have him convert before they disappeared his mother to a concentration camp, his father into hiding in the French countryside and, eventually, to Israel. Music's immediate worry, and the gambit for the novel's intrigues, is the investigation mounted by his old enemy, Father Twombly, into the mysterious transfer of a reputed Shakespeare manuscript from the Beale Hall library to a private bookseller in Paris. While Music races around trying to prevent the exposure of that transaction, Maude, inching toward 70, is becoming poisonously disillusioned with her lover. Isler (The Prince of West End Avenue, winner of the National Jewish Book Award) mixes the Jewish comic tradition and the high church comedy of Waugh and Murdoch to produce this scathing yet touching farewell to faith, hope and charity in the mad, bad 20th century. (June)Forecast: This book defies marketing Catholic readers will quickly be appalled by the unapologetic blasphemy, and Jewish readers will tend to say, what is this, a book about a priest? Yet Isler's amiable refusal to please sets him squarely in the tradition of Philip Roth; his tone is reminiscent of Malamud. With luck and a few good reviews, his book will sell despite itself.

Copyright 2001 Cahners Business Information, Inc.

Father Edmond Music, the protagonist of Isler's new novel, is a French priest living in the English countryside with a number of secrets. For one thing, his allegiance to God is somewhat equivocal; for another, he's been carrying on for decades with Maude Moriarty, his flame-haired Irish housekeeper. Isler's portrait of hypocrisy also includes a farcical subplot in which an overzealous American clergyman is dispatched to investigate the disappearance of a rare Shakespeare manuscript. Gleefully blasphemous and unerringly comic, the novel is rich with both emotional and literary rewards, but at its heart is a story that can be distilled to a single truism: men of the cloth are cut from the same cloth as other men.
Copyright © 2005 The New Yorker

Isler (Kraven Images, et al.) surpasses even high expectations in this superb novel about a rogue(ish) priest, born a Jew, nearing the end of his long life. A lot goes on here there's a stolen Shakespeare rarity (from a library our cleric oversees, much to the Church's chagrin), a spiteful but ineffectual priest bent on revenge and a crumbling lifetime love affair with a "house- keeper" but what shines through is the voice of Father Edmond Music, erudite, witty, ironic, sad, and urbane. As a bonus, there's some Shakespeariana "written" by an 18th-century Jewish mystic, who also gets involved in the plot; to see how, you'll just have to read it. Accompanying material says "Isler's satirical prose has rightly been called Nabokovian," but that's not quite right. This reads a lot like a Robertson Davies novel, from the narrative voice right down to central characters who change their names. And that's high praise. Very highly recommended. Robert E. Brown, Onondaga Cty. P.L., Syracuse, NY
Copyright 2001 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

Part One

Sipping a Calvados in a bar in the rue de Malengin and reading an English newspaper left on the seat by its previous occupant, I discovered to my surprise that I had just died. It appeared that I had driven my car, a modest Morris Minor of a certain age, into the famous Stuart Oak of the Beale estate, the oak so named because planted to commemorate the death of the unfortunate James II. The Stuart Oak had sustained little damage; the Morris Minor was now a twisted, tortured tangle of metal, from which had been extracted a pulped human body supposed to be mine. Our local constable, Timothy "Tubby" Whiting, had identified the car and its owner. Tubby has a palate for local ale and bitter than which there is surely none more refined. He is, moreover, as am I, a Catholic, he rather more persuasively than I. But he is no Sherlock Holmes, or, for that matter, Father Brown.

First I phoned Maude back at the Hall. She, foolish soul, supposed, or pretended to suppose, I was phoning from the Other Side.

"God be praised! Deo gratias! Oh, sweet Jesus! Oh! Oh! Oh!"

"Maude, my love, I'm all right."

"All right, is it? Of course you're all right, there with the Holy Virgin and the blessed angels. Is that the heavenly choir I hear?"

From the jukebox at the back of the bar the late Edith Piaf sang "Milord."

"I mean that I'm not dead."

"Not dead, is it? Of course you're not dead! Everlasting life, that's what He promised us, that's why He bled upon the Cross. Oh, I must tell Father Bastien immediately. Oh, Edmond, I miss you so. Be patient, my love. I'll be with you as soon as I'm allowed." And she hung up.

The silly old woman! It's extraordinary how any sort of excitement brings back the brogue she otherwise abandoned with her youth. She was jesting, surely. Her relief must have found its outlet in hysteria. And, no doubt, mother's ruin has played its part, too. Yes, gin has long been her favorite tipple, and lots of it -- but in a pinch she will make do with whatever's on offer. She likes to pretend that I am the one who has "a little drinking problem"; as for her, why, she drinks merely to be sociable or because she finds herself without company, or because she feels cheerful or because she is bored, or because she is worried or because she's not. We don't talk about it.

Ah, but to remember what she was like when first I knew her, Maude Moriarty, the keeper of my house and my flesh, lo these many years! Ah, the swish of her hips, the rustle of her skirts, the slender shape of her arched above me! And yet to see and hear what she has become as Time's wingèd chariot rattles behind us, nearer and nearer! Gone -- or, at any rate, usually hidden nowadays -- are the wit and the sharp intelligence. She has played an Irish washerwoman for so long, she has at last become one. Too much television, perhaps.

O she had not these ways
When all the wild summer was in her gaze.

Next I phoned Tubby, assuring him that I was as good as on my way home. His shock at hearing my voice was somewhat mitigated by his acceptance of the glad tidings: I was still alive. "But who was it, then, Father," he said almost accusingly, "we squeezed and scraped out of the car? He must've been doing a hundred down the drive." The drive is curved and dangerously steep as it plunges toward the Stuart Oak.

"D'you suppose it was poor Trevor? As I remember, I'd asked him to pick up the car over the weekend. The hand brake had given out, and the foot brake was sluggish." Trevor Stuffins was our local odd-job man, a fellow of my own age and girth.

"Hmmm," said Tubby noncommittally.

"We must pray for his soul."

"He was a Protestant, Father."

"All the more reason."

"If it was Trevor." Tubby was capable of learning from his mistakes.

"Do me a favor, Tubby, go and have a word with Maude. Explain to her I'm still alive -- alive, that is, in the this-worldly sense. Do it gently."

Before leaving the rue de Malengin, I ordered another Calvados and sipped it slowly. My trip to Paris had been a failure, but I felt somehow like one recalled to life.

Could it be that Castignac was right? He had telephoned me a month before, getting to a phone who-knew-how, and warned that Vatican assassins were after me. "Watch out, Edmond, pay attention! They want you dead!" This was followed by a mad cackle. "They will stop at nothing! Nothing!" And then the line went suddenly silent.

But poor Castignac is a lunatic. Why should I have paid attention?

Well, perhaps because of the historical record. Parva, as we say, componere magnis, to compare small things with big, the popes themselves have not been safe from their coreligionists, even as their coreligionists have not been safe from the popes. In the tenth century fully one in three popes died in (nudge-nudge) "suspicious circumstances." Pope Stephen VI was deposed and strangled in prison. And as for murderous corruption, poisonous intrigue, and the savage pursuit of power, why, everyone knows that the popes of the High Renaissance -- the Borgias and their like -- wrote the book, created the template. To step a little closer to our own time, what of John Paul I, who died in 1978 after only thirty-four days on the throne, eh? I point only to the fact, nothing more. Dear me, no. But if so magnificent a beast as a lion may be cruelly slain in his lair, what hope for compassion has a mere flea?

Still, a sense of proportion is a wonderful thing. I cannot truly believe that what I might call the upper hierarchy is after my blood, much as they would like to see me out of a job. No, but rather lower down, though. Father Fred Twombly, say, chairman of the Department of English at Holyrood College, Joliet, Illinois, my undoubted enemy since we were graduate students together in Paris, the wretch who wants my job, the fact that I have it and that he does not gnawing at his vitals like a poisonous mineral. He, I think, if all else failed him, could interfere with the brakes of my car.

But all else has not yet failed him. He thinks he has me by the hip, and it may be that he has. I shall tell you about him anon, and about his latest letter to me, the occasion of my trip to Paris.

Perhaps I should pray.

Perhaps not.

At what moment, I wonder, did I lose my faith? It is a question that has no answer, a semantic dilemma. Have you stopped beating your wife? To lose something -- virginity, say, or a gold watch -- one must first have possessed it. But I put it on, this faith, because it was offered me, it suited me, it was a habit, in both senses of the word. It was at once an ecclesiastical vestment, an outward sign of belief, and a way of life to which I became comfortably -- well, perhaps that word needs modification, but, for the moment, let it stand -- comfortably accustomed.

Which brings the young Castignac's joke to mind. He rose to the exalted rank of papal nuncio, traveled the world -- Guatemala, Lebanon, Hawaii, wherever the Holy See had need of him -- a spy, after his fashion, yes, one of God's spies, gazing into the mystery of things. But he also learned at firsthand the intricacies of the Vatican's inner workings, what the Protestant Milton calls its secret conclaves. And where is he now? As I have said, stark staring mad, terminally bonkers, or so designated, and in the merciful hands of the Sisters of the Five Wounds, a hospice in Cambridge, Massachusetts. Well, he always liked America, did Castignac.

But why do I mention him? Ah, yes, the joke. We were seminarians then, you see, the old Adam not quite squeezed out of us. Not out of Castignac, in particular. What a rogue he was! He possessed the blue-black, curly hair, black eyes, and olive skin of the true Corsican, a young Napoleon, but well endowed, hugely endowed. In the dormitory, he

Edition details

• Publisher: Scribner
• Publication date: 2001
• Language: English
• ISBN 10: 0743210603
• ISBN 13: 9780743210607
• Binding: Hardcover
• Edition number: 1
• Number of pages: 288