A tale inspired by the writings of Tiro, Cicero's confidential secretary, traces the life of the ancient Roman orator from his beginnings as a young lawyer through his competitions with Pompey, Caesar, and Crassus in the political arena.
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Robert Harris is the author of Pompeii, Enigma, and Fatherland. He has been a television correspondent with the BBC and a newspaper columnist for the London Sunday Times and The Daily Telegraph. His novels have sold more than ten million copies and been translated into thirty languages. He lives in Berkshire, England, with his wife and four children.
Quoting extensively from the extant works of Cicero, Robert Harris makes much of his most famous political battles (sometimes drawing awkward parallels to present-day events) and his search for a sufficiently wealthy and well-placed wife. Tiro is a good choice of narrator: in addition to his historical qualifications, he has reason to ask questions that help explain the plot. Except for the Pittsburgh Post-Gazette, which expressed an utter lack of excitement over a slow plot, critics generally agreed that Imperium is a compelling portrayal of a man and a place 2,000 years gone, made relevant and interesting for modern-day readers.
Copyright © 2004 Phillips & Nelson Media, Inc.
Running from 79 to 64 B.C., the story is narrated by Tiro, Cicero's slave and secretary, who is credited with inventing shorthand, living to age 100 and writing a life of his master, now lost. Imperium, the first volume of a planned trilogy, is an imaginary recreation of that missing work, and Tiro makes a useful narrator: He can ask about matters for which a slave (as well as the modern reader) needs background information even as he sits in on high-level strategy sessions.
The first of the book's two parts pits Cicero against Gaius Verres, a hoggishly corrupt governor of Sicily. Students of Latin will recall that the case inspired Cicero's Verrine orations, and that as a villain Verres comes in second only to the egregious Lucius Sergius Catilina, who himself appears in these pages, just prior to attempting the coup that Cicero exposed in his most brilliant series of speeches.
Harris, who has also written Fatherland, a thriller that reimagines German history, sets up formidable barriers between Cicero and a successful prosecution of Verres, especially time constraints (if the case doesn't finish soon, a new and hostile judge will take it over, and Verres's lawyer is a master of dilatory tactics). Then Harris shows Cicero using cunning and bravado to knock those barriers down.
Along the way, both author and protagonist evince a flair for politics that will remind many Washingtonians of what originally brought them here. "Politics? Boring?" Cicero rejoins to a jaded relative. "Politics is history on the wing! . . . You might as well say that life itself is boring!" The second part of the novel depicts Cicero making the moves that win him election to the republic's highest office, the consulship. Here again Harris's zest for political machinations serves the material well. Toward the end comes a walk-on by Publius Clodius Pulcher, the most beautiful man in Rome, who figures prominently in another splendid novel of antiquity, Thornton Wilder's The Ides of March. I can think of no better endorsement of Imperium than to mention those two books in the same breath.
Reviewed by Dennis Drabelle
Copyright 2006, The Washington Post. All Rights Reserved.
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