An epic and hauntingly topical geopolitical thriller spanning six decades and three continents, The Human Pool confirms the journalist and award-winning filmmaker Chris Petit as the heir to John le Carré and Robert Harris. THE HUMAN POOL Rumors about Willi Schmidt's actions during the Second World War were enigmatic, to say the least. He worked for U.S. Intelligence out of Switzerland; he cut black-market deals on the side; he rescued scores of Jews from the Nazis. Saint or sinner? Either way, Schmidt was strictly murky waters -- and reports of his death in 1945 surprised no one. Sixty years later, Joe Hoover is convinced Schmidt is still alive, armed with a false name and a fortune in pharmaceuticals. For years, Hoover, former Intelligence courier for the American spymaster Allen Dulles, has been haunted by misgivings about his own wartime role in his boss's top-secret financial partnership with the Third Reich. Now, someone wants Hoover dead. Back in Europe, Hoover discovers that operations he thought had ended long ago are still being played out. Forming an uneasy alliance with Vaughan, an undercover journalist investigating neo-Nazi traffic of Kurdish refugees, he begins to unravel a conspiracy that leads deep into his past, to his days mixing with Nazi officers in the supposedly neutral cities of Zurich, Istanbul, and Budapest, where enemies did deals over cocktails. At each step, Hoover finds the shadow of Willi Schmidt and the specter of World War II's most grotesque and enduring legacy -- a trade in people: the human pool. Set against a vivid historical backdrop, The Human Pool mixes fiction and fact to explosive effect. Chris Petit has crafted his finest novel yet -- a cosmopolitan, thinking-person's thriller that turns the world inside out and traces its veins: It spells nothing less than the rebirth of the great espionage novel.
"synopsis" may belong to another edition of this title.
Chris Petit is the author of The Psalm Killer and Back from the Dead. The former film editor of London's Time Out magazine, his film-directing credits include Radio On and Chinese Boxes, and his documentaries have won several awards. He lives in London.
Conspiracy freaks with nothing to do can pop a Haldol in jubilation upon the publication of this third book from former Time Out London film editor Petit (The Psalm Killer; Back from the Dead). Joe Hoover, a widowed, aging wartime double agent with a mysterious disease, is summoned from Florida to Frankfurt via his old WWII call sign from Karl-Heinz Strasse, a former SS officer, 60 years after the fall of the Third Reich, for reasons that possibly involve the agent's duplicitous (and promiscuous) former boss Betty von Heimendorf. Alongside this tale of wartime pros gathering at journey's end is the tense, sweating parallel story of Vaughan, an English investigative journalist undercover in a group of neo-Nazi skinheads, investigating Karl-Heinz's life story for his boss, a bored media tycoon, while trying to get his mind off his incestuous relationship with his half-sister, Dora. As the story oozes in all directions through an increasingly disjointed series of letters, secret memos and drunken ravings by every member of the shifting cast, Petit conjures up a vague, amorphous hijack of humanity by vested political and economic interests perpetuating a warped biological testing program (on "the human pool")
la Einsatzgruppen. The reader will be lost long before the realization that there is no clear resolution to the novel, just an ever-increasing background volume of paranoia, manifested mainly in poor Vaughan ("The second time I crawled back into the box voluntarily. The third time I didn't come out"). As Hoover himself puts it to the curious Vaughan in the novel's clearest exchange: "Why not leave it alone?" "Because I'll be dead soon and it's about time I knew." Readers may well echo his sentiments.
Copyright 2002 Reed Business Information, Inc.
Petit's third thriller (after The Psalm Killer and Back from the Dead) switches between two different eras. Both worlds are described by several narrators, most notably (for the present) journalist Vaughn, and (for the past and present) Joe Hoover, a former OSS agent. While Vaughn researches neo-Nazis for a documentary filmmaker, Hoover has been called to Frankfurt by Karl-Heinz Strasse, a former Nazi who had ties to spymaster Allen Dulles (later director of the CIA). The reason for Hoover's visit is the possible reappearance of a Swiss courier long thought dead, a man who arranged transport to freedom for Jews and then possibly betrayed them. Underlying this complex scenario is a web of corruption that ties Dulles's wartime activities in Switzerland to German pharmaceutical giant, I.G. Farben, and ultimately to chemical experiments being carried out today on Kurdish orphans. A seamless and intricate interweaving of past and present, and of characters real and fictional, this is recommended for popular fiction collections where spy thrillers are popular. Ronnie H. Terpening, Univ. of Arizona, Tucson
Copyright 2002 Reed Business Information, Inc.
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