Esther Leslie’s path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin’s oeuvre. In looking at the entirety of Benjamin’s work - rather than the four or five essays available in English which tend to form the Benjamin ‘canon’ - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin’s work in its historical and political context. In her examination of Benjamin’s commentary on the politics and aesthetics of technology - from Benjamin’s work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamin’s writings in a lucid and cogently argued new study.
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Esther Leslie is professor of political aesthetics at Birkbeck, University of London. She is the author of many books and is, most recently, the editor and translator of Walter Benjamin’s On Photography, also published by Reaktion Books.
'An important contribution to understanding Benjamin and technology, and should be read by those wishing to better understand the original reflections on technology by one of the past century's most original thinkers' -- Douglas Kellner, UCLA 'The extensive historical detail assembled in the book is woven together with Benjamin's texts in a manner which convincingly exhibits the historical moment in the very fabric of those texts' -- Radical Philosophy
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Softcover. Condition: Fine. Esther Leslies path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamins oeuvre. In looking at the entirety of Benjamins work - rather than the four or five essays available in English which tend to form the Benjamin canon - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamins work in its historical and political context. In her examination of Benjamins commentary on the politics and aesthetics of technology - from Benjamins work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie recontextualises Benjamins writings in a lucid and cogently argued new study. 1.537. Seller Inventory # SONG0745315682
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