Inspector Aaetin Ikmen and forensic pathologist Arto Sarkissian have been friends since childhood, and their work together in Istanbul's criminal justice system has only served to cement their friendship. When they're both called to a flat to investigate the death of a twenty-year-old, there is no reason to think their relationship will alter. The case, however, is a strange one. Ikmen learns from the neighbours that they have never seen the man enter or leave the flat. The only visitor they're aware of is a solitary, well-dressed Armenian. Stranger still is that the limbs of the body are withered, and the victim seems to have been kept prisoner inside a gilded cage. What is it that's making Ikmen's old friend Arto, himself an Armenian, especially uncomfortable about the case?
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Trained as an actress, Barbara Nadel used to work in mental health services. Born in the East End of London, she now writes full time and has been a visitor to Turkey for over twenty years. She received the Crime Writers' Association Silver Dagger for her novel DEADLY WEB, and the Swedish Flintax Prize for historical crime fiction for her first Francis Hancock novel, LAST RIGHTS. To find out more, follow Barbara on Twitter @BarbaraNadel or visit her website www.barbara-nadel.com
`A thriller that presents a Middle Eastern city populated by human beings, rather than specimens of oriental exotica, and a British writer who can get inside a foreign skin' Independent A sure-fire winner * Good Book Guide * 'Even better than Nadel's extraordinary first book...tightly organised...the dark, Byzantine plot springs organically from the tensions of race and class in Turkish society, which is treated with a depth and detail unusual in a crime novel' Evening Standard `A thriller that presents a Middle Eastern city populated by human beings, rather than specimens of oriental exotica, and a British writer who can get inside a foreign skin' * Independent * Even better than Nadel's extraordinary first book...tightly organised...the dark, Byzantine plot springs organically from the tensions of race and class in Turkish society, which is treated with a depth and detail unusual in a crime novel * Evening Standard * 'My crime reader is raving about this author, and says this second title is better than her first, BELSHAZZAR'S DAUGHTER. They have an atmospheric Turkish setting, with an excellently drawn investigating officer. Good one and worth watching' Bookseller
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