As they reach their mid-thirties, Margaret and Letty, best friends since childhood, begin to chafe at their sense that they are not where they ought to be in life. Margaret, driven and overconfident, decides to rectify this by quitting her job and whipping out a literary tour de force. Frustrated almost immediately, Margaret turns to Letty for support. But as Letty, a stay-at-home mother of four, begins to feel pressured to make a good showing in the upper-middle-class Los Angeles society into which her husband's new job has thrust her, Margaret sees a plot unfolding that's better than anything she could make up. Desperate to finish her book, she pushes Letty to take greater and greater risks, and secretly steals her friend's stories as fast as she can live them. Hungry for acclaim, Margaret sacrifices one of the things most precious to her...
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Lifelong best friends Margaret and Letty are in their mid-30s. Margaret has just quit her teaching job to write a novel in Manhattan; Letty, her husband, and her four children are enjoying their first taste of worldly success in Los Angeles. Margaret soon discovers that writing is not as easy as it looks, and Letty finds herself financially over her head in the one-upmanship of L.A. living. Reading Letty's hilarious e-mails, Margaret realizes that a great story is unfolding right in front of her, and she begins a new novel based on her friend's travails. Hungry for more drama in her novel, she pushes Letty deeper and deeper into debt. Christina Schwartz's diabolical All Is Vanity sends up so many different things, you need a list to keep track of them all. Taking a drubbing are: the pretensions of would-be writers ("How many people believe they have a novel fully formed in the backs of their brains ... and are convinced if only they could manage to tear themselves away from much more important work, they would just 'write it up'?"); the consumerist frenzy of L.A. (Letty's realtor tells her that her yard "could be 'emotional' with the right landscaping'"); and, of course, the uses and abuses of female friendship. Schwartz, author of the bestseller Drowning Ruth, draws us in with farce, then changes course and gives us a bittersweet indictment of personal ambition. In the process, she shows herself as a writer both compassionate and hilariously cruel--no mean trick. --Claire Dederer
At once darkly comedic and moving, this witty exploration of female friendship, envy, and misguided ambition by the author of the number-one bestseller "Drowning Ruth, deliciously satirizes the desire to shine in the world.
In "All is Vanity, Margaret and Letty, best friends since childhood and now living on opposite coasts, reach their mid-thirties and begin to chafe at their sense that they are not where they ought to be in life. Margaret, driven and overconfident, decides the best way to rectify this is to quit her job and whip out a literary tour de force. Frustrated almost immediately and humiliated at every turn, Margaret turns to Letty for support. But as Letty, a stay-at-home mother of four, begins to feel pressured to make a good showing in the upper-middle-class Los Angeles society into which her husband's new job has thrust her, Margaret sees a plot unfolding that's better than anything she could make up. Desperate to finish her book and against her better nature, she pushes Letty to take greater and greater risks, and secretly steals her friend's stories as fast as she can live them. Hungry for the world's regard, Margaret rashly sacrifices one of the things most precious to her, until the novel's suspenseful conclusion shows her the terrible consequences of her betrayal.
Widely celebrated for her debut novel, "Drowning Ruth, Christina Schwarz once again proves herself to be a writer of remarkable depth and
range. Like "Drowning Ruth, "All is Vanity probes into the mysteries of the human heart and uncovers the passions that drive ordinary
people to break the rules in pursuit of their own desires.
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