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Anne Perry Half Moon Street ISBN 13: 9780747273387

Half Moon Street - Hardcover

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9780747273387: Half Moon Street

Synopsis

For superintendent Thomas Pitt, the sight of the dead man riding the morning tide of the Thames is unforgettable. He lies in a battered punt drifting through the morning mist, his arms and legs chained to the boat's sides. He is clad in a torn green gown and flowers bestrew his battered body.

Pitt's determined search for answers to the victim's identity leads him deep into London's bohemia to the theatre where beautiful Cecily Antrim is outraging society with her bold portrayal of a modern woman--and into studios where masters of light and shadow are experimenting with the fascinating new art of photography. But only Pitt's most relentless pursuit enables him to identify the wildfire passions raging through this tragedy of good and evil, to hunt down the guilty and protect the
innocent.

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Review

Secrets and lies, calumnies and evasions: in Anne Perry's Victorian mysteries, these elements, rather than a hat or gloves, a bustle or a watch fob, are the usual accoutrements of refined ladies and gentlemen. Half Moon Street marks the return of Inspector Thomas Pitt (20 novels now, beginning with The Cater Street Hangman and still going strong) to the cobblestoned streets and elegant drawing rooms of 19th-century London.

The inhabitants of those drawing rooms aren't usually thrilled to see him, because he always comes bearing bad news. This time, a body has turned up in a boat on the Thames: Delbert Cathcart, a talented portrait photographer with a taste for blackmail. Clad in a velvet dress, wrists manacled, legs spread grotesquely, skull crushed, Cathcart reminds Pitt of a perverse echo of the Lady of Shalott, or perhaps a debased Ophelia. Which of Cathcart's clients could have been pushed so far as to retaliate in such hideous fashion?

Pitt's official investigation is usually combined with another more idiosyncratic approach to the crime; this secondary analysis gives Perry free rein to dissect the manners and morals of Victorian society. In Half Moon Street, the genteel inquisition falls to Caroline Fielding, Charlotte's mother (Charlotte, who must need a bit of rest after so many outings, has been packed off to Paris for a vacation; her presence in the book is restricted to letters marveling, rather tediously, at the scandalous iniquities of the Moulin Rouge dance hall). Perry's readers will no doubt remember that Caroline scandalized society by marrying a much younger actor, Joshua. Half Moon Street introduces Caroline to his theatrical world, and to Cecily Antrim, a beautiful actress with liberal politics. Cecily poses both a personal and philosophical threat to Caroline, who is disturbed by her willingness to expose the realities of female sexuality on stage: "Should such things be said? Was there something indecent in the exposure of feelings so intimate? To know it herself was one thing, to realize that others also knew was quite different. It was being publicly naked rather than privately." This fear of exposure resonates through the worlds of theatrical and photographic art, as actors, diplomats, and genteel citizens race to hide their secrets from Pitt and Caroline.

While Perry evokes the London atmosphere with her usual skill, her narrative lacks its usual finesse. Rather than balancing Pitt's and Caroline's investigation, the novel lurches between them so that it seems all too often that Perry, in pursuit of one story, has forgotten the other. Additionally, Caroline's reaction to feminist politics and sexuality is inexplicably repetitive; her turgid expressions of horror seem the result of an overly eager copy-and-paste procedure. One hopes that this is a momentary lapse in an otherwise solid series. --Kelly Flynn

From the Back Cover

"EVOCATIVE . . . SHOCKING . . . The denouement is tense, with a few unexpected twists and with the tidiness and intelligence that make Perry the queen of the British historical mystery."
--Chicago Tribune

"PERRY HAS THE GREAT GIFT OF MAKING IT ALL SEEM IMMEDIATE AND VERY MUCH ALIVE."
--The Philadelphia Inquirer

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  • PublisherHeadline Book Publishing
  • Publication date2000
  • ISBN 10 0747273383
  • ISBN 13 9780747273387
  • BindingHardcover
  • Edition number1
  • Number of pages356
  • Rating
    • 3.95 out of 5 stars
      3,829 ratings by Goodreads

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Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition, First Printing. This work is a Victorian mystery featuring Inspector Thomas Pitt. A bizarre and shocking murder leads Inspector Pitt deep into London's thriving Bohemia, where playwrights are fighting against censorship, and masters of light and shadow are experimenting with the fascinating new art of photography. This copy is SIGNED BY THE AUTHOR, flat signed on the title page, and is clean and solid. This is the First British Edition. Signed by Author(s). Seller Inventory # 018549

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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First U. K. Edition. Signed by Anne Perry on the title page - signature only. A First U. K. edition, First printing. Book is in Near Fine condition. Boards are clean, not bumped. Interior is clean and legible. Not remaindered. Dust Jacket is in Near Fine condition. Not chipped or crinkled. Not price clipped. Dust Jacket is covered by Mylar Brodart. All-Ways well boxed, All-Ways fast service. Thanks. Signed by Author(s). Seller Inventory # 018792

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