[Read by Bernadette Dunne]
In the 1970s, Paris fashion exploded like a champagne bottle left out in the sun. Amid sequins and longing, celebrities and aspirants flocked to the heart of chic, and Paris became a hothouse of revelry, intrigue, and searing ambition. At the center of it all were fashion's most beloved luminaries -- Yves Saint Laurent, the reclusive enfant terrible, and Karl Lagerfeld, the flamboyant freelancer with a talent for reinvention -- and they divided Paris into two fabulous halves. Their enduring rivalry is chronicled in this dazzling expose of an era: of social ambitions, shared obsessions, and the mesmerizing quest for beauty.
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ALICIA DRAKE writes regularly for publications including International Herald Tribune, British Vogue, Travel and Leisure, and W magazine, for which she was a contributing editor. She has lived and worked in Paris for the last ten years.
*Starred Review* The relationship between hedonism and decay and the understanding of excess as creative consumption are themes central to this glittering exegesis. Drake conducted more than 100 interviews in her scrupulous chronicle of fashion's most illustrious rivalry. Yves Saint Laurent, the charmed genius of effortless success, and Karl Lagerfeld, the patrician workhorse, engaged in a decades-long competition for hyperbolic headlines and jet-set celebrity, pitting their cliques against each other in bitch-slap feuds of sartorial splendor. Theirs is a world of glorious, hideous self-involvement, where heroin is an accessory, violent political unrest is an evening's amusement, and a close friend's suicide is, foremost, a contemptible blemish on an orchestrated image. Drake's subjects made their livings and their names dedicating themselves to the pursuit of surface perfection, and her comprehensive examination of their barbed, parallel arcs is appropriately superficial. These titanic designers crafted their personas as carefully as they put together their luxurious collections, and we come to know them as reflections in the mirror houses they built. Although their individual aesthetics and personal recriminations are unique, they are united in the opulent glory of their narcissistic myopia. Ultimately, Drake makes a good case for the extraordinary nature of their individual achievements and the revolutionary effect of their competitive energy on the fashion industry. And yet we're left with a portrait defined more by the careful craft of its brushstrokes than by the substance of the sitters. Thomas Barthelmess
Copyright © American Library Association. All rights reserved
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Paperback. Condition: Very Good. In 1954 they were two young talents from the provinces, both dreaming of Paris, glamour and glory. Yves Saint Laurent was the charmed youth, the enfant terrible inheritor of Dior's couture crown. Karl Lagerfeld was the freelance designer with a talent for ready-to-wear. Seemingly from a background of wealth and privilege, he was in fact a tireless workaholic, driven by his passion for capturing the pose of the moment. Then 1968 happened and Paris exploded like a champagne bottle left in the sun. The city embraced liberation and hedonism, making up for years of post-war insecurity. It was a decade dominated by intrigue, infidelities and addiction - and parties. Each designer created his own mesmerising world, drawing towards them people attracted by their power, charisma and fame. Loulou de la Falaise, Paloma Picasso, Pierre Berge and Jacques de Bascher were all living in the mirror of fashion. The tensions of class and nationality, bohemia and luxury, youth and yearning, talent and ambition were subsumed in the creation of glamour. The two cliques could not help but become rivals. But as the 70s turned to the 80s, heroin and Aids cast their shadow; fashion became an industry, money prevailed and the beautiful people discovered the danger of living their dreams. The Beautiful Fall is Alicia Drake's brilliant chronicle of this dangerous, brazen, fabulous time. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001585736
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