The American Short Story Since 1950 offers a reappraisal of a critically underrated genre during a particularly rich period in its history. It is a book about some of the greatest postwar American writers, who consistently found in the short story a form well adapted to their most fundamental preoccupations, and about the literary cultures within which they wrote: the magazines they published in; the prizes they did or did not win; the university courses which taught them how to write, or enabled them to teach others how to write, and their (more often than not disappointing) sales figures. The book includes new readings of important stories by key writers including Flannery O'Connor, Eudora Welty, J.D. Salinger, John Cheever, Donald Barthelme, Grace Paley, Raymond Carver, Lorrie Moore, Tim O'Brien, Denis Johnson, Junot Diaz, Sherman Alexie, Jhumpa Lahiri, David Bezmozgis, Edward P. Jones, David Foster Wallace, Gish Jen and Lydia Davis. Key Features *explores a particularly rich period in the history of the short story *offers close-readings of important stories by major writers including Flannery O'Connor, John Cheever, William Gass, Donald Barthelme, Raymond Carver, Denis Johnson, Junot Díaz, Edward P. Jones, Grace Paley, Sherman Alexie, David Foster Wallace, Gish Jen, Lorrie Moore, David Bezmozgis and Lydia Davis. * draws on previously unpublished interviews with many of these writers. *explores the contexts in which stories are written and published, including story-writing handbooks, mass market and 'little' magazines, creative writing workshops *considers the short story in relation to a variety of literary modes and trends such as realism, metafiction and minimalism, and to other forms, especially the novel and the lyric poem
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