Items related to The Whole World
Set in the richly evoked pathways and environs of Cambridge, England, The Whole World unearths the desperate secrets kept by its many complex characters—students, professors, detectives, husbands, and mothers—that lead to deadly consequences.
Two Americans studying at Cambridge University, Polly and Liv, who are both strangers to their new home and both running away from painful memories, become quick friends. They find a common interest in Nick, a handsome, charming, seemingly guileless graduate student. For a time, the three engage in harmless flirtation, growing closer while doing research for Professor Gretchen Paul, the blind and devoted daughter of a semi-famous novelist. But a betrayal, followed by Nick’s inexplicable disappearance, brings long-buried histories to the surface.
The investigation, helmed by Detective Chief Inspector Morris Keene and his partner, Detective Sergeant Chloe Frohmann, raises countless questions—from the crime that scars Polly’s past to the searing truths concealed in family photographs which Gretchen cannot see. Soon the three young lovers will discover how little they know about one another, and how devastating the ripples of long-ago actions can be.
At once a sensual and irresistible mystery and a haunting work of penetrating insight and emotional depth, The Whole World marks the beginning of Emily Winslow’s series of psychological suspense.
Published by William Morrow
"synopsis" may belong to another edition of this title.
About the Author:
Excerpt. © Reprinted by permission. All rights reserved.:
Emily Winslow is an American living in Cambridge, England. She is the author of the novels The Whole World, The Start Of Everything, and The Red House.
“Come on,” Nick said, tugging my arm. He pulled me past the plesiosaur and iguanodon skeletons and unlocked a stairwell. He prodded the button to call the elevator. When the thing came it had one of those old iron grilles, which he shoved aside for entry. He pressed me against the back wall of the box and kissed me.
He has lovely hands. Later, when the people making “missing” posters asked for a detailed description of him, I uselessly went on about his perfect hands.
When the elevator went ping at the top floor, he stalked out down a long, dingy hallway. I trotted after him. I’d forgotten that he had an office up in Earth Sciences—but of course he would. It was a tiny space, nothing more than books and a coffeemaker and a desk and a lock on the door, which was enough. We perched on the desk and he pulled my face to his.
I don’t think he meant for much more than petting—he didn’t seem like someone who would rush anything. But when he started to unbutton my shirt, I said no. I’m certain I did, but it got muffled in his cheek. So he undid the next button. I said no again. I pushed his shoulder, hard. Nick was surprised. I was too. I mean, it’s fine to say no to anything, but this was abrupt. He leaned in to kiss me again. I don’t think he deliberately ignored me; I think he was just on a roll. So was I, frankly. I kissed him back, which was disorienting—he had a right to be even more confused. It was all so . . .
There was this line. I wanted to be on one side of it. I tried to stay there, and haul him back. But he couldn’t see the line. All he knew was that I was still leaning into him. He kissed me all down my neck, and then lower, down into where my shirt was open from the first two buttons. It made me crazy, in a good way, and it made me angry, which was strange. I shoved him so hard that he was suddenly standing upright; I had pushed him off the desk onto his feet. I leaned over the other side of the desk and vomited into his trash can. It had papers in it, not crumpled, just all smooth and rounded, clinging to the side of the basket. I vomited in it, and then over it onto the floor. The sounds were horrible. I tried to stop. I covered up my mouth but just ended up with stuff on my sleeve.
Nick put his hand on my back. I elbowed him off. More stuff came out of me. I didn’t think I’d eaten enough for it to go on this long. When it finally stopped I held still. A minute flipped on his clock, one of those old “digital” clocks that has the numbers on little cards attached to an axle.
Nick said something. I made a noise to cover it up and bolted. I didn’t wait for the elevator; instead I lurched onto the stairs, which I hadn’t realized go on forever. Every corner I turned there was another flight down. I passed the museum level by mistake. Then the ground floor stopped everything.
Through the window in the stairwell door I saw a dozen students gathered, for a club or a meeting. My shirt was still open at the top. I turned to the wall. It took me a few tries to mash the buttons back through their slits.
I wanted to brush my teeth. I wanted to change my clothes. I rushed back up one flight to get my jacket from the window seat in the gem room. On Trumpington Street I started running.
Chapter One
That whole thing in Nick's office happened just around what would have been Thanksgiving. Home was, no doubt, drenched in crackling, flashy leaves. England does the season differently. Students at Cambridge are discouraged from having cars, so autumn comes with a flurry of bicycles. Leaves barely bother to brown before falling listlessly-the bikes make up for that in their number, variety, and motion. They swirl everywhere, as if blown into little cyclones by the wind.
I used to live in New Hampshire, which is all spectacular falls and knee-high winters, and summers thick with humidity and mosquitoes. It's a parade of nature there; that's what makes it special. But here in Cambridge, instead of trees and mountains and extremes of weather, there are buildings, all these towers, like something cartoonishly
Atlantean that you'd put in a fish tank for guppies to swim through. Everything is made of stone, not clapboard. This city is like people, instead of God, made the world, and turned out to be good at this creation business.
The University has thirty-one colleges, which house, feed, and tutor students. The University departments provide lectures and exams. The older colleges downtown, founded by Plantagenets and Tudors, dominate the shops and houses like tall ships in a busy harbor. They're huge and solid and walled, each with an arched entryway giving a peep
of courtyards beyond. There's usually a sign telling whether or not they're open for tourists, and always a sign remonstrating that the courtyard grass is not to be walked on.
Peterhouse is on Trumpington Street. The college itself is on one side of the big art museum, and my room, in the dorm extension St. Peter's Terrace, is on the other.
I love these old buildings because they're still in use. They haven't been made into museums. There's something so sad about people filing through a famous rich person's bedroom to ogle a made, never-again- slept-in bed. These college rooms are all lively with activity, just as they were built to be. They're as different from museums as a wild animal is different from taxidermy.
I chose Peterhouse because it's the oldest of the colleges, more than seven hundred years old. That seemed the right thing to do. If I was going to go to Cambridge, and live in actual architecture, and wear a monkish academic robe called a "gown" just to eat dinner, it seemed best to go all the way. Peterhouse had been the first of the colleges to get electricity, but it still lit meals only by candlelight. Its stained glass windows were by William Morris. There was a fireplace in my dorm room. When I saw that I laughed out loud.
Liv is American too, which is why we became friends. She was my first friend here. She's Californian, and could have gone to Stanford.
I met her my first week. It wasn't the way she talked that gave away her nationality. She hadn't even spoken yet. It was that she sat cross- legged on the floor in a public place. British people don't do that. She was sketching an empty windowsill inside the Fitzwilliam Museum.
I was above, surrounded by paintings of elaborate flower arrangements. She was below, on the middle landing of a fancy staircase, with two sets of steps going up on either side and another set heading down between them. She caught me looking at her drawing, and quickly hugged her sketchbook to her chest. Then she lowered it back to her lap, and smiled hello. She explained that there used to be three Chinese vases on this windowsill. "Close your eyes," she said. "Go ahead and close your eyes. Just try to see it, okay?"
I'd descended the steps and was right in front of her. I closed my eyes.
"Three big vases, right? Right here. And this guy," she said, "this guy-I swear this is true and you can look up the newspaper stories-he tripped, I swear, he tripped on his own stupid shoelaces right into those vases, and he totally took them down. I was in the gallery above those stairs, the floral room, right, and I heard it. It was, like, pow!-at first a hollow kind of sound and then a clatter. They shattered into six hundred pieces."
I flinched.
"No kidding," she went on. "I ran to the stairs. It was terrible to see them like that, all splattered, chaos where there should have been this-grace, you know?"
I couldn't keep my eyes closed any longer. Right here, right where I was standing, they'd broken up into shards. I backed up onto a step, to get off of where they'd fallen.
She nodded. "I know, right? I know. I was horrified too. But then I was, like, kind of elated. And I was, like, springier and more alive, somehow. It made me think:
"This is all really here. It's not like a picture in a book or on a screen. It's not even under glass or behind ropes. It's all just amazingly here. Until I saw some of it broken, I hadn't really understood. I'm here, you know? And this is all real, real enough that if you bump into it something could break. I'm really here."
She was beatific with the memory.
Then she grinned and snapped out of it. "It's amazing, you know?" she said.
I smiled back. I just stretched my face and held it tight. I was remembering something broken too. I never should have closed my eyes.
"Where are you from?" she asked. "Is this your first year?"
I didn't answer right away. I nodded, to buy time. I made my mind imagine vases. Over and over again my mind went clatter-pow. I forced it to be vases in my mind.
Liv's college is Magdalene, which is pronounced like it means "sentimental."
She lives in a riverside building with brick windowsills and fancy wooden banisters. The architect who designed it made every banister different so that drunk students could feel if they were on the correct stair. Hers had a kind of obelisk, and posts carved like checkerboards.
She'd covered the wall over her bed with pages from her sketchbook. I recognized details from paintings in the Fitzwilliam-lots of Monet poplars-and sights from around town. She didn't choose obvious targets. There was no King's College Chapel, its towers jutting from either side of its roof like the tufts on a great horned owl. Instead she drew two-story buses, shopwindow mannequins, and the snack aisle of the supermarket. There are literally dozens of flavors of potato chip here, and the many bright colors all lined up on the shelves give the appearance of a busy, upright garden.
"Here, give me a hand," she said, plonking down a stack of printed pages on her bed. "Reusing is even better than recycling, right?" She had two pairs of scissors, one for each of us.
The pages were old essay drafts. She'd been cutting them up into intricate little snowflakes that now nearly filled a plastic grocery bag.
At first I watched her: She'd cut a small piece off, no worry about its shape, and then fold it twice. Snip, snip, snip, then unfold. The folding gave the cuts a symmetry within the random edges. I took a page. Cut, fold, snip. Each sheet made a dozen or more sharp flakes, each one different.
When we were done, she undid the fancy iron fasteners on the casement windows over her bed. She grabbed a handful of paper snowflakes and heaved them out. She pressed another handful into my open palm.
We threw fistfuls of paper snow down onto the busy path below, while Liv shouted, "Ho ho ho!" Some people stopped to look up at us in annoyance, shaking the papers out of their hair or brushing them off their shoulders. One didn't. He bent to sweep up the scraps. At first I thought he was a neat freak, some kind of anti-litter crusader. But then he stood and pulled his arm back, and pitched the debris at us like a snowball. It couldn't make it up to Liv's window; it didn't have the weight or cohesion for that. Instead it showered back onto him, drifting down past his great, huge smile.
That's how we met Nick.
Liv was out in the hall before I even turned around. Her footsteps clattered down the stairs while mine padded. Out on the path, we tried to have a snowball fight, but even a ream of paper isn't enough for that. We halfheartedly threw bits around, but the wind had carried a lot of it away. The river would be dotted with it.
A dozen paper flakes were caught in Nick's hair. They were, by chance, arranged in a ring like a halo. Liv reached to tousle them out, but he ducked away from her hand. He reached up and rubbed them out of his hair himself. So Liv sprinkled another handful on, and he gave in and left them there. We all smiled. Teeth were everywhere.
Nick had to leave. He was a graduate student, a paleobiologist, at Magdalene too. He had a meeting. Liv got his phone number.
"Oh my God!" she said, laughing. "Oh my God!"
"What?"
"He's so cute! Do you think he likes me?"
"Yeah! Of course he does. I think he really does."
She hugged herself and spun around. She almost slipped on the mess of scraps, but caught my arm and righted herself. Someone else didn't quite manage that.
"Oh!" A surprised woman fell backward. Her skirt rode up, and the side of one soft leather boot scraped against the walk. A thin white cane pointed straight up into the air. Oh crap, she's blind. . . .
"Shi-!" Liv said, rushing to help her. "It's me, Liv. Here, let me . . ." She pulled on the woman's hands to haul her up. Resistance; confusion. Liv ended up whacked in the face by the cane. She stepped back with her hand on her cheek while the woman got herself back up to standing unassisted. She wiped her damp knees and smoothed out her skirt. She demanded to know what was on the ground.
"Some idiot dropped paper all over the walk," Liv explained. I sucked in a breath.
The woman's thick beaded necklace was caught on her top button. Despite brushing her hands together and wiggling her fingers, a few paper flakes still stuck. "They should be reported to the porters," she declared.
Liv agreed, gravely. It took both my hands to keep the laughing in my mouth.
There was a smear of dirt and scraps on the back of the woman's peacock blue coat. "You look great," Liv assured her.
Her heels and cane tapped on the path: click click click away from us.
"See you tomorrow! Gretchen!" Liv called out after her.
"Was that Gretchen Paul?" I asked, grabbing Liv's arm. I'd heard of her from two girls in my building who studied English. "What class do you have with her?" Liv majored in Art History, so I didn't know what she would be doing with a Lit professor.
"I don't. I work for her. Shit, shit, shit. I hope she's not mad."
"She probably just needed to get somewhere," I said, but actually she had looked pretty mad.
"Really?" Liv said. "Do you really think so?" She squeezed my hand.
I opened and closed my mouth. A porter saved me.
He boomed out, "Do you know who did this?" The broom in his hand contrasted with his neat, formal suit.
"Some first years," Liv said easily, pulling me along like we had somewhere we needed to go. We didn't slow down until we were out on Magdalene Street, heading for the bridge.
"What does it take to get someone to lighten up around here?" she shouted, with her hands cupped around her mouth. Quayside was full of people: waiting in line for coffee, hanging out, eating at outdoor tables. All of them looked at us.
It turned out we were both turning twenty that week. So we went out to a pub to celebrate. Liv was in her second year, and twenty because she had taken time off to paint before coming here. I was twenty as a first year because our school district had had a draconian cutoff for starting kindergarten. And I took time off after high school too.
"They call that a 'gap year' here. What did yo...
He has lovely hands. Later, when the people making “missing” posters asked for a detailed description of him, I uselessly went on about his perfect hands.
When the elevator went ping at the top floor, he stalked out down a long, dingy hallway. I trotted after him. I’d forgotten that he had an office up in Earth Sciences—but of course he would. It was a tiny space, nothing more than books and a coffeemaker and a desk and a lock on the door, which was enough. We perched on the desk and he pulled my face to his.
I don’t think he meant for much more than petting—he didn’t seem like someone who would rush anything. But when he started to unbutton my shirt, I said no. I’m certain I did, but it got muffled in his cheek. So he undid the next button. I said no again. I pushed his shoulder, hard. Nick was surprised. I was too. I mean, it’s fine to say no to anything, but this was abrupt. He leaned in to kiss me again. I don’t think he deliberately ignored me; I think he was just on a roll. So was I, frankly. I kissed him back, which was disorienting—he had a right to be even more confused. It was all so . . .
There was this line. I wanted to be on one side of it. I tried to stay there, and haul him back. But he couldn’t see the line. All he knew was that I was still leaning into him. He kissed me all down my neck, and then lower, down into where my shirt was open from the first two buttons. It made me crazy, in a good way, and it made me angry, which was strange. I shoved him so hard that he was suddenly standing upright; I had pushed him off the desk onto his feet. I leaned over the other side of the desk and vomited into his trash can. It had papers in it, not crumpled, just all smooth and rounded, clinging to the side of the basket. I vomited in it, and then over it onto the floor. The sounds were horrible. I tried to stop. I covered up my mouth but just ended up with stuff on my sleeve.
Nick put his hand on my back. I elbowed him off. More stuff came out of me. I didn’t think I’d eaten enough for it to go on this long. When it finally stopped I held still. A minute flipped on his clock, one of those old “digital” clocks that has the numbers on little cards attached to an axle.
Nick said something. I made a noise to cover it up and bolted. I didn’t wait for the elevator; instead I lurched onto the stairs, which I hadn’t realized go on forever. Every corner I turned there was another flight down. I passed the museum level by mistake. Then the ground floor stopped everything.
Through the window in the stairwell door I saw a dozen students gathered, for a club or a meeting. My shirt was still open at the top. I turned to the wall. It took me a few tries to mash the buttons back through their slits.
I wanted to brush my teeth. I wanted to change my clothes. I rushed back up one flight to get my jacket from the window seat in the gem room. On Trumpington Street I started running.
Chapter One
That whole thing in Nick's office happened just around what would have been Thanksgiving. Home was, no doubt, drenched in crackling, flashy leaves. England does the season differently. Students at Cambridge are discouraged from having cars, so autumn comes with a flurry of bicycles. Leaves barely bother to brown before falling listlessly-the bikes make up for that in their number, variety, and motion. They swirl everywhere, as if blown into little cyclones by the wind.
I used to live in New Hampshire, which is all spectacular falls and knee-high winters, and summers thick with humidity and mosquitoes. It's a parade of nature there; that's what makes it special. But here in Cambridge, instead of trees and mountains and extremes of weather, there are buildings, all these towers, like something cartoonishly
Atlantean that you'd put in a fish tank for guppies to swim through. Everything is made of stone, not clapboard. This city is like people, instead of God, made the world, and turned out to be good at this creation business.
The University has thirty-one colleges, which house, feed, and tutor students. The University departments provide lectures and exams. The older colleges downtown, founded by Plantagenets and Tudors, dominate the shops and houses like tall ships in a busy harbor. They're huge and solid and walled, each with an arched entryway giving a peep
of courtyards beyond. There's usually a sign telling whether or not they're open for tourists, and always a sign remonstrating that the courtyard grass is not to be walked on.
Peterhouse is on Trumpington Street. The college itself is on one side of the big art museum, and my room, in the dorm extension St. Peter's Terrace, is on the other.
I love these old buildings because they're still in use. They haven't been made into museums. There's something so sad about people filing through a famous rich person's bedroom to ogle a made, never-again- slept-in bed. These college rooms are all lively with activity, just as they were built to be. They're as different from museums as a wild animal is different from taxidermy.
I chose Peterhouse because it's the oldest of the colleges, more than seven hundred years old. That seemed the right thing to do. If I was going to go to Cambridge, and live in actual architecture, and wear a monkish academic robe called a "gown" just to eat dinner, it seemed best to go all the way. Peterhouse had been the first of the colleges to get electricity, but it still lit meals only by candlelight. Its stained glass windows were by William Morris. There was a fireplace in my dorm room. When I saw that I laughed out loud.
Liv is American too, which is why we became friends. She was my first friend here. She's Californian, and could have gone to Stanford.
I met her my first week. It wasn't the way she talked that gave away her nationality. She hadn't even spoken yet. It was that she sat cross- legged on the floor in a public place. British people don't do that. She was sketching an empty windowsill inside the Fitzwilliam Museum.
I was above, surrounded by paintings of elaborate flower arrangements. She was below, on the middle landing of a fancy staircase, with two sets of steps going up on either side and another set heading down between them. She caught me looking at her drawing, and quickly hugged her sketchbook to her chest. Then she lowered it back to her lap, and smiled hello. She explained that there used to be three Chinese vases on this windowsill. "Close your eyes," she said. "Go ahead and close your eyes. Just try to see it, okay?"
I'd descended the steps and was right in front of her. I closed my eyes.
"Three big vases, right? Right here. And this guy," she said, "this guy-I swear this is true and you can look up the newspaper stories-he tripped, I swear, he tripped on his own stupid shoelaces right into those vases, and he totally took them down. I was in the gallery above those stairs, the floral room, right, and I heard it. It was, like, pow!-at first a hollow kind of sound and then a clatter. They shattered into six hundred pieces."
I flinched.
"No kidding," she went on. "I ran to the stairs. It was terrible to see them like that, all splattered, chaos where there should have been this-grace, you know?"
I couldn't keep my eyes closed any longer. Right here, right where I was standing, they'd broken up into shards. I backed up onto a step, to get off of where they'd fallen.
She nodded. "I know, right? I know. I was horrified too. But then I was, like, kind of elated. And I was, like, springier and more alive, somehow. It made me think:
"This is all really here. It's not like a picture in a book or on a screen. It's not even under glass or behind ropes. It's all just amazingly here. Until I saw some of it broken, I hadn't really understood. I'm here, you know? And this is all real, real enough that if you bump into it something could break. I'm really here."
She was beatific with the memory.
Then she grinned and snapped out of it. "It's amazing, you know?" she said.
I smiled back. I just stretched my face and held it tight. I was remembering something broken too. I never should have closed my eyes.
"Where are you from?" she asked. "Is this your first year?"
I didn't answer right away. I nodded, to buy time. I made my mind imagine vases. Over and over again my mind went clatter-pow. I forced it to be vases in my mind.
Liv's college is Magdalene, which is pronounced like it means "sentimental."
She lives in a riverside building with brick windowsills and fancy wooden banisters. The architect who designed it made every banister different so that drunk students could feel if they were on the correct stair. Hers had a kind of obelisk, and posts carved like checkerboards.
She'd covered the wall over her bed with pages from her sketchbook. I recognized details from paintings in the Fitzwilliam-lots of Monet poplars-and sights from around town. She didn't choose obvious targets. There was no King's College Chapel, its towers jutting from either side of its roof like the tufts on a great horned owl. Instead she drew two-story buses, shopwindow mannequins, and the snack aisle of the supermarket. There are literally dozens of flavors of potato chip here, and the many bright colors all lined up on the shelves give the appearance of a busy, upright garden.
"Here, give me a hand," she said, plonking down a stack of printed pages on her bed. "Reusing is even better than recycling, right?" She had two pairs of scissors, one for each of us.
The pages were old essay drafts. She'd been cutting them up into intricate little snowflakes that now nearly filled a plastic grocery bag.
At first I watched her: She'd cut a small piece off, no worry about its shape, and then fold it twice. Snip, snip, snip, then unfold. The folding gave the cuts a symmetry within the random edges. I took a page. Cut, fold, snip. Each sheet made a dozen or more sharp flakes, each one different.
When we were done, she undid the fancy iron fasteners on the casement windows over her bed. She grabbed a handful of paper snowflakes and heaved them out. She pressed another handful into my open palm.
We threw fistfuls of paper snow down onto the busy path below, while Liv shouted, "Ho ho ho!" Some people stopped to look up at us in annoyance, shaking the papers out of their hair or brushing them off their shoulders. One didn't. He bent to sweep up the scraps. At first I thought he was a neat freak, some kind of anti-litter crusader. But then he stood and pulled his arm back, and pitched the debris at us like a snowball. It couldn't make it up to Liv's window; it didn't have the weight or cohesion for that. Instead it showered back onto him, drifting down past his great, huge smile.
That's how we met Nick.
Liv was out in the hall before I even turned around. Her footsteps clattered down the stairs while mine padded. Out on the path, we tried to have a snowball fight, but even a ream of paper isn't enough for that. We halfheartedly threw bits around, but the wind had carried a lot of it away. The river would be dotted with it.
A dozen paper flakes were caught in Nick's hair. They were, by chance, arranged in a ring like a halo. Liv reached to tousle them out, but he ducked away from her hand. He reached up and rubbed them out of his hair himself. So Liv sprinkled another handful on, and he gave in and left them there. We all smiled. Teeth were everywhere.
Nick had to leave. He was a graduate student, a paleobiologist, at Magdalene too. He had a meeting. Liv got his phone number.
"Oh my God!" she said, laughing. "Oh my God!"
"What?"
"He's so cute! Do you think he likes me?"
"Yeah! Of course he does. I think he really does."
She hugged herself and spun around. She almost slipped on the mess of scraps, but caught my arm and righted herself. Someone else didn't quite manage that.
"Oh!" A surprised woman fell backward. Her skirt rode up, and the side of one soft leather boot scraped against the walk. A thin white cane pointed straight up into the air. Oh crap, she's blind. . . .
"Shi-!" Liv said, rushing to help her. "It's me, Liv. Here, let me . . ." She pulled on the woman's hands to haul her up. Resistance; confusion. Liv ended up whacked in the face by the cane. She stepped back with her hand on her cheek while the woman got herself back up to standing unassisted. She wiped her damp knees and smoothed out her skirt. She demanded to know what was on the ground.
"Some idiot dropped paper all over the walk," Liv explained. I sucked in a breath.
The woman's thick beaded necklace was caught on her top button. Despite brushing her hands together and wiggling her fingers, a few paper flakes still stuck. "They should be reported to the porters," she declared.
Liv agreed, gravely. It took both my hands to keep the laughing in my mouth.
There was a smear of dirt and scraps on the back of the woman's peacock blue coat. "You look great," Liv assured her.
Her heels and cane tapped on the path: click click click away from us.
"See you tomorrow! Gretchen!" Liv called out after her.
"Was that Gretchen Paul?" I asked, grabbing Liv's arm. I'd heard of her from two girls in my building who studied English. "What class do you have with her?" Liv majored in Art History, so I didn't know what she would be doing with a Lit professor.
"I don't. I work for her. Shit, shit, shit. I hope she's not mad."
"She probably just needed to get somewhere," I said, but actually she had looked pretty mad.
"Really?" Liv said. "Do you really think so?" She squeezed my hand.
I opened and closed my mouth. A porter saved me.
He boomed out, "Do you know who did this?" The broom in his hand contrasted with his neat, formal suit.
"Some first years," Liv said easily, pulling me along like we had somewhere we needed to go. We didn't slow down until we were out on Magdalene Street, heading for the bridge.
"What does it take to get someone to lighten up around here?" she shouted, with her hands cupped around her mouth. Quayside was full of people: waiting in line for coffee, hanging out, eating at outdoor tables. All of them looked at us.
It turned out we were both turning twenty that week. So we went out to a pub to celebrate. Liv was in her second year, and twenty because she had taken time off to paint before coming here. I was twenty as a first year because our school district had had a draconian cutoff for starting kindergarten. And I took time off after high school too.
"They call that a 'gap year' here. What did yo...
"About this title" may belong to another edition of this title.
- PublisherMagna Large Print Books
- Publication date2014
- ISBN 10 0750539852
- ISBN 13 9780750539852
- BindingHardcover
- Number of pages368
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Book Description Condition: Very Good. Large type / large print edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Seller Inventory # GRP97096686
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US$ 4.00
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The Whole World
Published by
Magna Large Print Books
(2014)
ISBN 10: 0750539852
ISBN 13: 9780750539852
Used
Hardcover
Quantity: 2
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Book Description Hardcover. Condition: Very Good. yellowing edges of pages, slightly marked page edges No.1 BESTSELLERS - great prices, friendly customer service â " all orders are dispatched next working day. Seller Inventory # mon0000724525
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US$ 7.33
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